Then We Changed

 

You were the mountain and I was the wind.

"I have birds in me."
I whispered through your trees.

 I breathed over your body, cool, invigorating, stirring the leaves, bending the boughs, scattering the snow from your greatest peaks.
Water cascaded down your face and flowed away to distant lands.

"You have trees on you."
I whispered into your ancient caves, brushing over moss, moaning through your dripping stalagmites.

Other Mysterious Lights

It was entirely possible to say something new each day. Marty would wake like a vampire rising from a coffin in a quirky b movie, stiff as a plank at a 90 degree angle, as if lifted by a row of invisible supporting dancers. Once vertical he could see his reflection perfectly in the full length mirror mounted to the wall opposite the bed's foot. The red shape of his mouth covered in clown paint would stand out in sharp contrast to the white grease paint on his face and the baby powder in his curly hair. It was entirely possible to then contort his mouth into shapes supported by the motion of his tongue and the vibration of his vocal cords, allowing him to emit mostly coherent phrases to be captured by the gramophone operated by twelve tiny mice.
On day one Marty rose and said,
"I want to roll through the garbage like God."
Diligently the mice recorded this statement and played it back for him.
On the second day, upon rising like an arrow from the bed, hands crossed over his chest, sheets tossed sloppily asunder by his rising form, Marty announced,
"This one has a crooked mouth."
The mice recorded it and played it back before resuming the construction of a dress made of various garments collected from unattended dryers in a nearby laundromat.
On day three, rising in the usual fashion, Marty spoke the following words,
"You know how everybody says I used to cry all the time? Well I did, but it wasn't just because I had  a bad marriage and a bad childhood, even though I did. I used to cry a lot because I feel things really deeply, not just for myself, but for other people too.  My husband shot himself in the head. That's why I used to cry so much, not for myself, for him, because of the way he must have felt to do that."
Dumb founded, the mice played the recording back for Marty. One of them fell into the mechanism and caused  the needle to skip replaying, "must have felt, must have felt, must have felt" until his compatriots freed him.
The next day, the fourth, the mice were poised to receive another monologue.
Marty rose and uttered a single word,
"Connecticut."
On day five,
"More riding in boats, eating brie, writing poetry."
Six
"What is your favorite fruit?"
The mice took a survey. Three for pineapple, 2 for apple, 4 for blueberries, 2 for banana, and 1 for avacado. They embroidered their answer on Marty's pillow case.
On day seven more cause for reflection,
"Let me ask you a question, do you have any sort of rule that you follow? A reason or something?"
Due to the fact that Marty never commented on the pillowcase the day before, the mice refrained from responding to this particular query. They spent the rest of the day drinking  peach schnapps from thimbles and wondering about the merit of their work.

Stream

Outside, the snow was silently ebbing and flowing across the war field. Wondrous dreams in the stillness of the dark would battle my foes with passionate zeal.
Only a short time ago I felt that my physical presence, ecstasy from a light dimmed, was blowing in the breeze. Images of the sacred carving holes where there were none before, away from prying eyes. It is in fact underground where the impulse to break beyond the imposed barriers of consciousness and flow outwards into the unknown holds a basket full of gifts. 
Unknown to its own creators, lost flowers look back at the trail of rot that they leave behind. They are spiritual sacraments and repeated cyber beats of rave, trance and ambient music stream to God's altar.

The left and right hemispheres of the brain were operating in synchronicity just as the millennium was coming to its end. Outside the cold air was really invading me in some kind of multi-cellular structure that seemed to have its own survival as its only purpose.
Great conglomerations of self reproducing electrical entities could make the original vision available to others. The maelstrom of feelings, thoughts and emotions get twisted into small one way streets called misunderstood telepathy that have been known to cause lucid dreaming.
The shining blue lights at the edges of the U.S. overlooked the spectacle of mesmerizing movements flashing in my mind.

I look at the gentle touch of the void showering you with hot kisses of energy. Sleeping crowds of monkeys, ready to be released into the frozen pathways of the nervous system, explode into visions, memories,  and myths.
Strangers bearing gifts hide in libraries, altering forever what I once thought was unquestionable, beyond doubt. Lost until the next moment of finding, that understanding that goes beyond the dry roots of your being shows you the way through.
The black magician comes at night, willing to set aside everything in the name of Life. His fellow colleagues, upset by the "methods" employed by both the womb of creation and warriors in a drumbeat at journey's end, utter certain secret incantations.

The fiery battle between whatever you are clinging to and  twisted histories alter you ever so subtly. In that shining moment, the flicker of fire light attracts the attention of beasts.
Warm human breath scatters in moist fragments, a kaleidoscope of sun, moon, and stars. Lying on the wooden bench, looking up at the sky beyond the glass windows, I make love to the original vision.
Outside, the snow is silently ebbing and flowing across the war field. I met strangers along the way, altering your sense of reason, embracing whispers on the wind. Let’s gather all of them.

Saint Veshua

She had been on the mountaintop since the early afternoon the previous day. Such a painful curve of the wheel. Dark time lasted for an eternity, just the slowly arching crescent moon marked the movement of the earth and her body’s place upon it. They were solid, ancient and cold.
"It hurts to be so nonexistent," she said. He felt that she was at a loss for words.
"It only hurts when you are trying to prevent it." 
He sincerely felt the wish to say so much more to her but he also knew that it was not possible, it was simply beyond the scope of the options currently available.
"There’s a cold wind blowing through my veins. Someone has driven a stake through my heart."
"It’s your father." He said, "He was trying to protect you."
“They cut me apart and they put something in me… this is what they did… see? Look at it, look at it...”
He searched her form for a message, letting the tenuous sparks of insight fall to him like snowflakes. She kept her eyes wide, letting the blackness and flickering stars roll and tumble over her with possibilities, letting it drag her mind into depths that daylight preferred to avoid. The wind moved over her and a nearby howl maintained the simple music of their encounter.
"I wanted to make something real." She said.
"Don’t struggle." He advised, "That will never happen if you struggle and crack the vessel."
But she pulled the stake out and the insects come pouring from her heart. They rushed over the surface of her body to devour it. There were animals with horns climbing the rocks and a lilting flute called from the distance.
Their line of communication was severed.
He watched it all from a distant peak, his scarf flapping in the wind, spy glass poised for the view. What he saw was a blond girl from some great American novel kneel to pray, and at that moment her heart burst into flames which soon consumed the whole apparition. For a moment it reminded him of the Inquisition, then the formation changed, and the flaming girl collapsed into a brilliant star. The explosion was magnificent.
It knocked him off of his feet.
He lay on the mountaintop as morning light spilled into the world of a newborn day, and he drank in the pale pink light. He opened his arms wide, letting the new sun bathe him in its clarity.
From her vantage point she watched the birds and the lone hawk that swept over him in circles again and again, as though they had something specific to communicate, but she could not hear him anymore.
It seemed like an inappropriate use of materials, but that’s the nature of magick.  Below, he held on to her light, thinking that it alone would ease his wish to change the reality of these new limitations.

He Died For Our Sins

“Oh my God, this thing is from the 90’s!”
It seems so close, so far away. Roller skates and corduroys and neon colors.
They are making weapons out of electric green Bendaroos, organizing complicated games in a home for deranged ex villains. My man is there, looking bad but meaning well, poet in black jeans.
The shadow of a black widow in a thicket of web nestled in a long forgotten Easter basket, still wrapped in plastic.

I can’t believe this passes for technology. It should have been replaced ten years ago. Give it a tweak. Flash of lights red and green.
They’re only games, but they look like violence, like evil schemes plotted by insecure misogynists. They know not what they do, and so they know not how to take responsibility for what they’ve done.
But it gnaws at them. Something feasts on their gut, making them feel dirty but they don’t know what they did. How did they get like this? Were they not innocent boys when it started?

Conversations in parks, in bathrooms, on Christina ct. Were we not being punished for something?
I hoped so, because if so then redemption was possible. If redemption was possible we could do the right things and escape this misery.
However, redemption philosophy required that we all began as sinners and he would say:
“I can’t believe that. What could I have done to deserve what I got? I was just a little boy. I didn‘t deserve that.”

I feared that going back down I might fall. I considered crawling the rest of the way up and breaking through a window.
By now, however, I had learned that crawling through a window would likely result in a rebirth, and then big sis and I would never finish fixing this thing.
I could see the shadowy form more clearly; definitely that creature that I feared. Should I attempt to stab it with the scissors? Should I trust that film of plastic to be a satisfactory barrier between us?
Those flashing lights seemed to be a bad sign. I might have to stay up here with it longer.

Existence is suffering. All beings suffer. I had read this.
I didn’t want to believe it, despite the fact that it seemed likely. If we could have understood that concept, perhaps we could have shed our guilt and shame, the hope that we could escape our unknown crime.
Despite the fact that his objections to it were strong, the ideology lived in both of us. Perhaps it was even better rooted in him.
He was an earthy sort, and in the act of fierce rejection he had become locked in an embrace with it, like a bull whose horns get lodged in the opposing structure. 
I was in a process of accepting it and synthesizing it. I would have dreams that something horrible was coming towards me, and instead of running, or fighting, I would try to hold it and transform it by making it a part of myself.
Sometimes it destroyed me.

In the end, he would sacrifice himself.
It would be hard to look at. It would be impossible to remember whether he had been a villain, an innocent boy, or a hero.
The flash created by the sacrifice would be so blinding, it would obscure the past. The power of it would send me hurtling into unknown terrains.
It was a gift.

There was nothing further that could be done. I slid down, dangled from the ledge and jumped. It was easier than I had anticipated.
Sis helped me stand and dust myself off. She checked for spiders. We were about to walk up the path back into the house when we heard it, a ghostly voice from above.
It was a tech agent responding to my prodding of the device. In his far off phone voice he issued instructions for troubleshooting.
At first it seemed like I might need to go back up, but after listening for a moment it became clear that, like the device, the instructions for its operation were obsolete.

Red Riding Hood

The fire. I watched them dance about the fire and feast at tables of stone. Another time I burned a wolf alive as it leapt to taste my flesh. The time I am thinking of is now, when I run through the darkness towards the fire's distant glimmer, hammer in hand.
There was a time before now when I was the mother, when I was the Grandmother, and each time I have also been a daughter and that comes before as well. When the world ended there was still life, still fire, still iron and steel, but time was no more.
I remember being daughter running through the ruins, my breath burning in my lungs as the wolf followed. Being hunted then, a girl no more than 9 or 10, as boney as the starving beast that followed.
Running, I flung a pail full of stinking petrol upon my snarling assailant. The bucket clattered upon the concrete as the wolf made an angry sound, slowed only a little.
Through the doorways whose doors had burned out at the end of time, into the kitchen, and climbing up the heavy wire shelving to the very top where I tuck my legs close to my body and fumble open the match box and strike. Teeth gnashing the air as the canine leaps towards me. That hiss as the match catches and I flick it at the dark body rising towards me, twisting airborne and suddenly igniting with a whoosh.
Is it really silent then in Grandmother's kitchen upon the top shelf of the rack watching a wolf burn alive? Or was it a noise too terrible to remember?
It was my mother who killed that first wolf with a bucket of petrol and a match. It was my daughter. It was myself. It was only a little wolf, but I was only a little girl. A girl who ran not away from, but towards wolves ever after.
I watched their fires from a distance. Who am I? Mother. Daughter. Grandmother. Their fires burn against the black and I see them dancing, casting long shadows against the wall. I watch them eat at stone tables built before the end of time. The heat can almost reach me, even from so far.
Just the sight of distant flame can be hearth to me for one moment as my soul reaches cold hands towards the light. It reminds me of civilization, Grandmother’s house, mother's heart beat, father's beard.
But I turn away from it eventually, as I must. Their halls are not mine, and people can be worse than wolves.
That was another time. Now I am thinking about now, the moment before the end of time, the fires that scorch the world and send people into holes like rabbits. The fire that burns in our bones and makes us sick even after the light is gone. The fire that will twist through generations of wolves making them taller and  mightier. It will run its fingers through our minds even when it seems to have forgotten our bodies, the fire that burns deep, kissing the center of creation.
Sometimes I remember being a star, great, great, Grandmother. Sometimes I stare at the alpha through crosshairs, holding my breath, squeezing the trigger. My footprints dot the snowy plains. I dye their white coats red and make a heavy hooded cloak. They know me among the ruins. Word has spread of the wolf killer.
Many of these people don’t remember the time before the end of time. This is the world as it has always been to them. Sometimes I wear the red cloak of fur made by my mother and track the wolf that killed her. Sometimes I am the fire at the end of the world swallowing itself.
The fire. I watched them dance about the fire and feast at tables of stone. Another time I burned a wolf alive as it leapt to taste my flesh. The time I am thinking of is now, when I run through the darkness towards the fire's distant glimmer, hammer in hand. This is the weapon that is left to me after I met with the wolves who were men.
I am running ahead, daughters, mothers, Grandmothers left behind me. I am running towards the fires that may be the end of the world. I am running towards the wolves.

Magick

It doesn’t hurt to see something new.
What about finding magic right here? In the woman in the white hoodie who seems to come up from out of the sea and hurries past the post office? In a little boy asking his father why there’s ham in his breakfast sandwich? In the hat that blew down the street, as if in the hands of phantoms, always just out of reach of the woman who chased it?
How about these scratches in the metal window frames? Looking through these windows reminds me of looking through the window of the train, the Pacific Coast Surfliner, seeing the waves through glass. Here the windows are covered in a film of dried salt spray.

What about the music? It’s  sultry rock, reminiscent of the Velvet Underground, probably something new, but slowly rocking, fuzzy, half dreamed music. Without it there is the whir of an espresso machine, the titanic hum of an old refrigeration unit.

The wind rattled all night, I was awake before I was ready, sinuses distressed by the pollen explosion called April. Rain, wind, sun, rain, sun; a conspiracy for the propagation of flowers.
In my dream the scientists lowered the lights and sang like dwarves about Terence McKenna and the deep dark expanse of space.
Then suddenly I’m here and it seems clear that this scene isn’t meant for me. I should be lighting candles and performing secret rituals behind black curtains. Whatever possessed me to attempt to balance a hot beverage and a netbook on a small round table, badly balanced on the tiles? Maybe the same thing that took the woman’s hat…

The wind! It blew me off course in the night and here I am in Pacifica, California.
Where did my train car go? I never was in one. It was a space ship and the OTHER was on the loose. I led my sister to the 24th deck were the scientists were working away on theoretical problems. I explained what was happening.
“There is an alien on the loose. It looks like…” I struggle to describe it, to remember it, “like a crayfish sort of. Well, it will lodge itself on your face and lay eggs inside of you and later the offspring will explode out of your stomach.” 
The scientists, at first disbelieving, now appear frightened. I indicate that they should cover their mouths with their hands, and under no circumstance hang their heads over the edge of the bed to look underneath. I have a pencil with which I intend to stab the thing if I see it.

“It could be anywhere at this point.”
Everyone looks anxiously around the room.
“But don’t worry,” I comfort them, “I have this.”
I indicate the pencil,
“I’ll protect you but you have to come up with a plan. You have to think of a way we can contain an area to keep it out, then a way for us to kill it.”

Earlier, I was fleeing its presence and was separated from my team. We were in the midst of taking action in accordance with our plan. I saw my team leader Cam go one way and I went another. The elevator doors opened and another Cam came towards me, I turned to see if Cam number one saw Cam number two coming.

“Cam!” “I called, “It’s you! It’s you from the future!”
But Cam from the future was in a hurry and couldn’t wait for Cam number one.
She grabbed my shoulders.
“Listen to me, it’s not going to work. You have to try something different!”
Then she had to rush away, into another glowing portal of light.
That was when I decided to consult the scientists.

“This scone isn’t as biscuity as I would like. Is the coffee cake the same price?” I ask.
“It’s less.” she tells me.
“Well, I don’t care, I’d rather have coffee cake.”
We make the trade and she gives me back seventy five cents. What am I doing here?
There’s a little boy playing Jenga at one of the round tables. An orange balloon is stuck to the window under the words pastries, cookies, cakes. Outside the waves look swollen, the sea is choppy.

What about the music? It’s  sultry rock, reminiscent of the Velvet Underground, probably something new, but slowly rocking, fuzzy, half dreamed music. Without it there is the whir of an espresso machine, the titanic hum of an old refrigeration unit.
What about finding magic right here? In the woman in the white hoodie who seems to come up from out of the sea and hurries past the post office? In a little boy asking his father why there’s ham in his breakfast sandwich? In the hat that blew down the street, as if in the hands of phantoms, always just out of reach of the woman who chased it?
It doesn’t hurt to see something new.

Umbrella

An ordered disorderliness; that’s what it makes me think of, that story. The umbrella, dark blue, an inexpensive model, curved plastic handle, had much history. I had left it once in a man’s car. Face white and soft like dough. Old, long silver braid, drowning in nostalgia for a time that almost was, his voice etching out from the perpetual grief of his people, transformed into a blade of flaccid hope. Correct. He trembled once before Alan Ginsberg. I left the umbrella in his car, leaping out against raindrops to tumble down my familiar rabbit hole. A train station, yes. He returned it on a rainy night a week later.
Degrees of separation? None. All of the characters are the same character. I am Alan Ginsberg. An ordered disorderliness.

It was not my umbrella. Like a cat, it lived a secret life before it came to me for comfort. If you feed them, umbrellas come back. They are practical, opportunistic, but not loyal. Yet, as mentioned, they sometimes come back. I was given a small maroon car. Clown car chugging up mountainous road, sea swelling to my right. Pop! Pop! Fizz, fizz. No, no relief, instead a sad play called “Death Of  A Clown Car.” But in her death throes I wrestled a delicate life from her womb, stick-like, melancholic in hue, but certainly the last and best she had to give the world.

What do they eat? Oh, tears, of course. Yours, or Gods, whoever breaks first.

The woman, a political refugee. Black hair, streaks of silver, crimson lips. Artist, professor, maimed architect, aristocrat, poet, latina, communista, intelligentsia, dilettante, withering well over her strange fruit. She held it in her gloved hand, hurrying through storms. From holy names to that car. That car.

What is it with you and doomed idealists? Don’t you like accountants? Postal workers? Security guards? No, no! Not you. You are a gourmand, feasting only on the finest tears! Who weeps more prettily, more passionately than idealists? Vampire, with your frail aluminum skeleton and delicate nylon wing stretched over my head, whispering of transience. Her name? Does it matter? She was friends with Pablo Neruda. Think of me as Pablo. It was her car I wrested the umbrella from, she left it there like an infant in a basket, or a sack of kittens destined for a river.

Why? Why did I do it? The responsibility was too much. It was a burden to carry that thing.

The truth? It crawled in there itself to find it’s way to me. Her tears had become… flat. Mellowed by age, reasonable comfort, and lack of expectation. She never married again, she maintained a healthy social life. Thus prospects for misery were poor. It was time for more tantalizing fare.

Foolishness. All people harbor secret woe twisted round their hearts like razor wire forcing them to wince thus, walk so, and flick their wrists laughing, “I never did mind the little things.” Clowns weep with the most intensity after the lights are dimmed and the grease paint is melting.
You have so much to say about the others. What about you? Stop, pushing on me that way! I’ll open up when I’m good and ready!
(Spoken by the author or the umbrella? Wait, is the author the umbrella?)
There, gently. As you said, inexpensive model, yet look how I’ve weathered (pun intended?) the years. Do you want to know why I like you so much?

No, I’d rather not. This is what makes rainy days gloomy.

Why did you get in that man’s car?

Because it was raining. But look at you now, dancing in the rain. You like it as much as I do.

Had you considered that I meant it metaphorically? It was raining inside of me.

Go on.

What more is there to say? I was, as the song says, crying inside and nobody knew it but me. Nobody could see. Nobody cared.

Just like when you were young.

Yes.

Tell me about that.

It rained a lot then, outside too. I walked home from school alone each day wearing my grandfather's long green coat. He had been in the airforce. I never knew him. The jacket made me feel a little safer. I could imagine that he was somebody who would have cared, that the jacket at least wanted to keep me warm and dry, wanted to protect me. Strangers hurt me every day and there was no one who noticed, no one who would help me.

How old were you?

12. It rained a lot that year. Record precipitation. I walked everyday. No one was home when I got there. There was never a hot dinner. Peanut butter and jelly or swiss cheese with mustard on bread that was mostly air. When they came home they vented their frustrations on me. We had lost our house, this one was a rental in a strange new neighborhood. It had maroon carpeting.

Well, is that all?

Isn’t that enough for now?

I don’t know. Is it? You brought all of this up.

It was Ginsberg, actually.

That’s a creative cop out. Lets be honest. You have projected all of this on to me. You began this dialog and you have disguised it as art, but you are using me (not the other way around as you would have the reader believe.) You are using me to get to the root of your own self.

Self is a transient thing, that is my point. There may be pain in this one life, the trick is not to mind it, not to identify with it, and to do something with it, to literally transform it.

Literally transform it. That was good. I like that. However, I don’t see how any of that supports your opening statement that self is transient.

Well take this text for example. I am the creator, but I keep changing perspectives. As above so below.

Are you really going to go there?

Why not? I knew a man who knew a man who knew Aliester Crowley. I am The Great Beast 666. Occultist, mystic, ceremonial magician, poet, mountaineer-

You copied that from wikipedia. You are a lonely frightened child.

Most of us are. An ordered disorderliness. Always raining. I had always wanted a car to get into, someone to protect me from the rain. A clown? Struggling, open, open, Ah! Here you are. My own blue nylon anathema pulled straight from a flaming blossom, exploding clown car. My heart. Prince charming? A thorn. A blue umbrella with abandonment issues. Degrees of separation? None. Who is practical, opportunistic, but not loyal? All of the characters are the same character. Skeptical? Because I am. In a world of sleepers, skeptical because I am, everyone is dreaming their own dream. Anonymous drops of precipitation. Participation? I am, a storm of organic lethargy, because skeptical. A vortex of desire.

Letters written, letters received, pleas for help, for love, acceptance, tossed from a wooden bridge into a rushing stream below. Young woman, head shaved, two black eyes, smoldering hole where a clown car should be, (Do you mean where a heart should beat?) her umbrella vibrating under the rain's incessant tap, tap, tap. Her journals too, poetry, there is no good in the world, “there let thy bleeding branch atone”, water under the bridge. Hairless, voiceless, always raining maiden. No one is coming to rescue her. Not ever. Not the painter, not the minstrel, not the poet, they will take their turns with her, cracking her bones and sucking the marrow in search of mother the abandoner. (All people harbor secret woe twisted round their hearts like razor wire. Smoldering hole, flaming clown car, vortex of desire.)
“I never did mind the little things.” But the umbrella? What color is it? And will it stay?
IT IS A BLUE UMBRELLA I SAY!
And it will stay, stay, stay.

Evil Queens and Dwarves

I have little to say about the nature of dwarves or evil queens.  I have little to say. I say little.
In regards to dwarves, they are very little if you are bigger than they and quite large if you should happen to be smaller. Evil queens are generally old. That’s all. They want to be beautiful again, and powerful. They don’t care about love because they know better now. They want to be in charge.
Dwarves may sometimes be the servants of evil queens or sometimes they are her enemies. They are fickle folk that way. I imagine that if an evil queen showed up and cleaned their house they’d help her hunt down and kill that pesky maiden with the lips as red as blood and skin as pale as snow.
Evil queens are practitioners of magic. Put  simply, they are witches.
Good queens die in labor or mourn when their children are abducted, or die without mention of the cause. They are disposable.
A word about Kings. They often marry evil queens after their good queen dies. They are generally dupes, loosing their kingdom or wealth to dwarves, wandering soldiers, and evil queens (not to mention witches who never become queens). Only their sons are clever, though generally not as clever as wandering soldiers, millers’s sons, tailors, or talking cats.
Princesses are always fair and must choose between two possible additional virtues; being clever or being kind. (There is a strong possibility that clever princesses will end as evil queens one day.)
Two out of every four princesses  are destined to fall into a sleep like death. (They are usually the kind ones.)
Princes often need the help of  witches or dwarves to get anything done. Witches who help princes and princesses are usually called “good” witches. Nobody feels it’s necessary to call the dwarves “good” dwarves.
(From this one may deduce that the default setting of dwarves is neutral whereas witches are all wicked unless proven to be “good.”)
This is what I know of the nature of dwarves and evil queens. I have said little. I had little to say.

Ghost Heart

They conspired to put me in a cage and let me die. My poor, poor, Tiger, the Ersatzanna.

I always weep when I remember what must have happened to you, how you must have cried for help. And he sat there, no more than 20 feet away, and played video games, feeling himself powerful as his avatar crept around toting a machine gun and you died.
Your dear Archie must have come to you and meowed too, he must have tried to get that man's attention and he ignored him too, that loathsome man, the father of my children.
My grandmother was dying that day, and that’s where I was, at her side saying goodbye. It was expected that she would go, but I lost you too, and that should not have happened.

He couldn’t stop hurting. He had to hurt me and I had only wanted to help him. Helpless me, I wanted to help, but he wanted to hurt.
How he could have sat there and not known that you were dying painfully is unimaginable to me. Some part of him knew. He wanted to hurt me more, so he hurt you.
I am so sorry my poor Tiger, little Ersatzanna. He is dead now too, the father of my children, but if I could choose to have just one of you restored to life, I would choose you and not him. Children need kittens more than drunkard fathers.

I felt sorry for him when he shot himself in the head, I felt sorry because he had been hurting, and that’s why he hurt others, I felt sorry that he had suffered, that I could never help him.
But I was never sorry that he was gone. That is one point upon which I can agree with him; the world is better without him. I am better without him.

The world is worse without you, my heart.

I set the cage out there. I did it. My father convinced me it was the only way to protect you.
The neighbors' black cat had bitten you twice and almost killed you. My father bid me to put out the cage for the black cat.
In the morning my grandmother was dying and I forgot to bring in the cage before going to say goodbye. The father of my children did not come with us to say goodbye to my grandmother. It was an uncommonly hot day for so late in the fall.
You wandered into the cage they said would protect you. It killed you. And he sat 20 feet away letting you die.

After I screamed Tiger, after they grabbed hold of my arms to hold me back while I screamed and the unborn baby in my womb covered her ears and screamed too, after they held me up by my arms and I screamed louder and the other baby, the one you helped me to nurse, stared wide eyed and silent, after I screamed and they tried, as always, to silence me, after that Tiger, I promised that I would never listen to my father again.
And I knew, after he, the father of my children, let you die in the cage my father had bidden me to set, I knew that was what was in store for me. My agony would be prolonged by indifference, my pleas would fall forever on apathetic ears.
I would be caged and killed bit by bit. Just as it had happened to you Tiger, my heart.

I never said goodbye to you. I don’t even remember what they did with your body.
So I dream that you’ve come back, that you’re there playing with your Archie or running alongside the overgrown mint, streaking past a window.
I am overjoyed to see you so, as you were, as you would still be if you had not gone in my place, little Ersatzanna.
My Tiger, ghost of my heart, I see you rushing along the shadowy edges of my dreams, but I cannot touch you, cannot scoop you up, cannot call you back into the house for safe keeping against the night.
I cannot press you to my chest where you belong safe and warm, small brave Tigress.
So I watch you through the window, stalking through the shadows as dusk deepens, as forgetfulness fades and I remember everything.

Recognition

I saw your face again today for the very first time in a long while. Your eyes sparkled like diamonds.
When we looked at each other it was as if there were nothing separating us, we could see each other, and we each knew the other was seeing us back. It hasn’t been quite like that for a very long time. Not quite like that.
It reminded me of a night in a distant dream where you came and sat on the couch in my living room while my lover was out. You came and sat there on that maroon sued couch not far from a life size painting of Pan that my lover had commissioned months ago.
I saw you and I said:
“It’s over now.”
And you looked at me, perhaps coyly, smiling while the rest of your face and body seemed passive, immobile. You asked me what I meant.
“Seeing you sitting here. It’s like you’ve come to claim me. My life is over.”
You were pleased, because it was true. I was frightened, but you told me not to be afraid.
We left that dream together and entered another and here we have been.
This has happened many times between us, in many different dreams. You arrive and I go with you. Whatever dream I have been living, when you come, it is a pale mirage in comparison to your stark presence.
My lovers, my families, my hopes, my wishes, my plans, my hobbies, my friends, my accomplishments, my shortcomings, my possessions, I leave them and we go on.
You have led me out of the nightmare dimensions in this way, you are still leading me from them in this way. We are at this moment, in the darkest chamber of existence and in the brightest and in every place between, and in all of them, I am seeing you and you are seeing me and we each are aware of this rare experience of recognition.

Invocation Of Spirit

Well, it's time. After so many nights wasted in sleep and so many days wasted in subservience to the almighty clock of the western industrialized world and the voices of those machines who came before and shaped this culture of diamond hungry whores ever watchful for the trespasses of their neighbors.
Like those dogs trapped behind fences that once barked at our beloved Spritzie, Spritzie who ran wild and free through the fields and streets and yards our heart holder. Her name, Spritzie, a spirit, the spirit which roams the open country side, the purple mountains, the yellow fields, the shaded areas behind houses.
She was my first familiar, the first non-human animal that I could touch and speak to and run with. I named her. I called her Spritzie. Spritzie, our protector, my protector, the protector of all those innocents who cross through her sphere. She ferries travelers safely through the dangerous terrain that is part of our kingdom. My Spritzie, my Spritzie, my spirit.
Late at night the air is cool and sweet like invisible undrinkable wine that flows through your very skin. Drinking in all of those negative ions, a long sip of ocean breezes and Moorish mists through quivering nostrils.
At night I am alive. But often I sleep and wait for the messages to come through to me from the woods; dreams, a strange Morse code from another myself whispering to me about what is out there and pointing to the Mounties of my soul.
I do not trust myself, I cannot be fully trusted as long as these Mounties who made me move around unseen. We need little girls with eyes in the walls to track their progress. I do not fully trust myself, but I murmur the litany, almost forgotten, into my pillow:
“In whom do you place your trust?”
“In myself, my teacher, and the Dharma.”
Dharma is a word I have appropriated, commandeered, liberated from the white halls of the symbolic order. I know what I mean by it, but I don’t know what they mean by it. I mean a WAY.
Like that preserved by the professor of dentistry who with a simple invocation of presence today said “Open” and I knew, here was a keeper of the WAY of dentistry. He knew more than how to recognize a possible lesion on 15, that was only what he did, but he did it with WAY. The master of teeth said “Open” and my jaw snapped to attention as though there could be no greater honor or privilege than to open for one such as himself.
Of course, my own teacher is not a dentist. When he says open it is not my Jaw that he commands.  He sings it, “Open, open Spritzie!” and I open.
Whistle, whistle, Spritzie where did you fly to? Where did you go on that cool clean air carried in from the blessed darkness of the night?
I press my finger to my lips and it is understood that something should be clothed, cloaked in silence and darkness, germinating beyond the diamond hungry eyes of the world. After so many nights it is time, it is time.
My Spritzie, I invoke thee! Holy guardian angel, oh sleeping prince of the rose, awake!
What is that stuff that drip drops into the bloodstream from some secretive gland that becomes active only in darkness, delivering its Cathar kiss to all dreamers? Stuff, stuff, do your work, anoint my cells with liquid light, oh secret Morse code tapping out to me:
“We are here, we are alive, we acknowledge your interest in Dog Farm, end transmission.”
 I place my trust in myself , my teacher, and the Dharma.
I have my little girls in the walls with tablets and pens ready to jot down secrets we keep from ourselves, ready to pounce on the photographic evidence that will illustrate beyond doubt the presence of Mounties at Dog Farm.
So many days wasted in subservience to the almighty clock of the western industrialized world and the voices of those machines who came before and shaped this culture of diamond hungry whores ever watchful for the trespasses of their neighbors.
Tonight we toss rocks at bottles and hope for the best. Free Tibet, free Spritzie, open!
There will be many days burned, many nights of waiting for the “short, short, long, short…” but for tonight a close encounter initiated from a vertical position, a simple invocation of presence, CIA tapping- Spritzie, Spritzie, open Spritzie. We acknowledge your acknowledgment of interest in Dog Farm.
End transmission.

Disappear In The Dark

I just wanted to lay down in the dark and disappear, one more phantom in a nest of nothingness. Say goodbye to kisses missed and kisses stolen and kisses desired, to soft cheeks and hands clasped and smiles from the wrong men. No more mothers, no more fathers, no more ancient primate prerogative driving from the depths. I would end the quest for biological immortality, the fear game, the tug and pull to be the one, the only one, the Queen of the Heap, the one to survive. 
What roused me from my usual exhausting efforts to preserve my identity was a chamber of mirrors, an expanded perception of self that allowed me to view the animal in the box through a tiny pinhole. That animal there, covered in hair, endeavoring to conceal its animalness with words and thoughts and fashion and rouge, that would be me.
That would be me there, struggling against my mother, against my sister, against all the king's concubines, rushing to capture the blissful prize of dominion, of the power of being. There are many, many possibilities and I am striving to be the one real self, the one that beats the others back into the abyss, the one who claims validity from the annihilation of all other possibilities, struggling for control of the gene pool, for control of the world, for control of reality.
Once upon a time I wanted to escape the cool dark stillness of nothingness, which is also the white noise of everything at once,  so I was born into this world. But what is here called “life” is in fact death.
I sacrificed the endless multitude for this experience of singularity. I have become separated from the larger body of My Self, the self that exists beyond time and beyond space. I have burrowed deeper and deeper into an angry psychosis, a desperate attempt to escape the Other who is myself.
And yet, even here in the shadow world that I have created the Other is represented. The Other lives inside of me, the Other lives outside of me, the Other is my own reflection, the Other is my mother, my sister, my daughter, all of them animals, all struggling for control over one another because they lack one crucial feature: a knowledge and mastery of self.
We are in denial of self. This denial is what we call “Life.”
And so, for a moment, seeing all of this, glimpsing that pitiful creature through the pinhole of objectivity, I just wanted to lay down in the dark and disappear again, relinquish my stranglehold on reality. Do the brave thing and sacrifice the singularity rather than the multitude, accepting the burden of the Real rather than hiding it under the carpet. For a moment I just wanted to relinquish my position as  The One, and take my place as one of the many. I wanted to accept annihilation and evaporate, become another phantom drifting placidly over a lake of nothingness.

Vibration Incorporate

What are they doing with my mind?
You ask as they reach in with silky fingers to comb through the cobwebs behind your cranium. You recognize them from a long time ago, from when you were not even you but rather one of your ancestors, from when The Black Forrest was a place and not a prefix to the word “ham”.
Blue and white and fine as mists but strong like magnets. They have always made these sounds, or rather these sounds occur in synchronicity with their presence. These are sounds that you forget when you aren’t hearing them. Sounds that you can’t make with your throat, sounds that make your whole body vibrate, or perhaps make your whole vibration incorporate or discorporate depending on the situation and the point of view.
They do things with your mind.
You remember them from the distant future in which you as you previously thought of yourself do not exist but rather are a thing of the past. This you is the descendant of that you, having inherited some portion of the same genetic data that once ordered the structure of your matter. But this you is something else too, something more related to the smart phone you used to carry in your pocket when you were that you, and perhaps something else too.
What are they doing with my mind?
You ask as they reach in with silky fingers to comb through the cobwebs behind your cranium. But at this point you can’t recall that you ever had a cranium. Were you really once something monkey, walking, laughing, man, jabber? Smile, twitch, sticky, hot, death maker.
What were you? You don’t even want to remember. You are busy now, stretching out like gossamer streamers of blue cotton candy, like a cloud of dust, a nebula, soft and light, reaching your silky fingers into…what?
Into….what?
Into…what?

Kallisti

I don’t reject anything, is what the poet said, and in that spirit I could not say no one more time. Maybe a thousand times before I did send it away, sweetness, warmth, cinnamon warmth flowing from the wrong fountain. Not because I did not want it, but because I could not accept.
What right does a marionette have to make decisions?
No right at all. No, no, no, no; like the petals of a flower surrounding a heart of yes. Maybe a thousand times before, but this one time I grabbed my own strings and yanked back, “YES!”
Mystic moon white wine sipped from a plastic cup as was done by our fore brothers and sisters, hiding in smoky back rooms, in caves in the deserts, in tents, in fancy compounds, where else? Where else?
What is that substance that flows clear and pure like water from heart to heart? It’s so pure, so pure we don’t have to boil it, just drink it, the substance of life.
I myself am the life. My biological manifestation is composed of more than 80% mystic moon white wine just as yours and yours and yours is. All of ours is, ever since we split apart and crawled from the seas.
What did we want two legs for anyway?
Where else? “YES!”
It’s a little hard to stay in one solid piece as we heat up, expanding, ah, ah, ah. It’s a little hard to reject anything as we ascend up those sinews, those effervescent spider threads that have been jerking our little wooden arms and legs without a pilot. We wanted to be real boys and girls so we invoked the blue fairy who cast her fine dust of sparkling sleep over our eyes so that we wouldn’t notice our wooden dispositions.
Sweet accommodating fairy gives you what you ask for, now, then, always. Call her what you will, she is eternal, star-spun, pun-struck , palpable and pin-stuck.
And now we move up, and up and up, against gravity. And as we do you will want to find a way to come back down. Oh so Newtonian of you. Crowned with the fruit of knowledge upon which is written Kallisti, to the fairest, to the finest, most exalted, unattainable.
To the fairest.
So Newtonian of you to wish to worship here, this way. But I don’t reject anything is what the poet said, won't reject this or that or the other, just this once. I might part the waters and let it pass straight through my wide open heart, but not say, not say, not say no. Be swallowed by the Maestro, but not say no.
We climb the silver mountain using the hair of the fairest as rope. As we wander in this place beyond the beyond, in this realm past hope and fear, we bid you beloved, now appear!
Appear, appear, an apple and a pear, perched perilously up here, up hear and let down your hair, an apple and a pear!
What right does a marionette have to make decisions? No right at all. No, no, no, no; like the petals of a flower surrounding a heart of yes. Maybe a thousand times before, but this one time I grabbed my own strings and yanked back. “YES!”

Work On Self

In the ordinary course of life as human animals our attention flows untrained from one thing to another. Whatever is loudest, brightest, closest, or most thrilling captivates this precious resource, this little understood commodity. Reflexively, our mood changes constantly as well, contorted in one way or another in response to external stimuli, blindly following our unguided attention.
When you are constantly wrapped up in this shifting, this loss of attention, you can’t really be free, you can’t make any choices, you can’t do anything seriously. You will merely move from one attention grabbing person, place or thing to the next, responding emotionally to each new source of stimulation with astoundingly mechanical reliability.
We react. Clowns cause fear, praise arouses pleasure, a traffic jam equals anger. If being ordered around by your boss made you irritable today, there is no reason to suspect that you might enjoy the experience tomorrow.
Being happy, being sad, angry, or fearful, these are not things that we do, these are things that do us. We react automatically to whatever stimulus we encounter.
We assume that these reactions are somehow more than arbitrary, that if something pleases or displeases us there is a fundamental justification for the response.
If my spouse cheats on me I feel that I should be sad and angry, I have every right to it. I will feel that it is my spouse's fault that I am angry.
I have never considered that my response to the situations and individuals around me comes from within me. It is particular to me. It is a reaction I learned early in life from my parents, my teachers, the television and my peers and I have repeated it mechanically so often that it feels “right.”
We feel that these reflexive states of being are dictated by who we are, when really we are being dictated by them.
Who are you anyway? What are you? What is the nature of this existence?
Most of us have not considered what it means to be a person. We have not asked ourselves, “what am I? What function do I serve?”
Nobody else asked us either. In fact we have been informed of who we are by others who have never wondered what they were. To delve into such a question would mean directing our attention inward, placing it on our own self rather than allowing it to drift over whatever new thing calls to it.

When I was a child I was very concerned with the question: “what am I?”
It seems as if immediately after being informed of who I was, and consequently forgetting what I am or might be, I began to try to find my way back to it. At least as many years as was spent forgetting myself came to be invested in trying to remember it again.
By the time I was in the fifth grade I became very convinced, walking home from school one day, that I did understand something about myself and reality and it was summed up best by these lines from a popular nursery song; life is but a dream.
I am a dream. One dream of many. There are dreams within dreams to consider.
If I am a dream, then there is a dreamer, there’s something else, an eternal something, an other of some kind.
It took more time for me to build on this theory, to move beyond “what am I?” to “why might I be?“
To me it seems that one function of the human being is to establish contact with that dreamer, that eternal being. Just doing that is a lot harder than it sounds.

Doing that in as many different ways and different spaces as possible is the function of a human being in a system that involves this organic existence but is not only this organic existence.
We do this with our attention, by turning it in on ourselves, in on the dreamer.
This is an non-ordinary application of attention. This is going beyond the course of life as human animals. This is applying attention intentionally rather than accidentally. This is trading the subjectivity involved in riding the roller coaster of human emotion for the objectivity of a waking state; a moment of lucidity in which I remember myself as the eternal dreamer.
This is what I call “work on self.”

Poisonous Blue Sky

Ha ha. Poisonous blue sky, so bright so clear. Old white men gather around the table and talk about the kids, the rotten no good kids, busting lights and keying cars. Do they ask why? Why are the kids doing this? No. They pronounce the verdict, “crazy” the kids are crazy, “there’s something wrong with her.” A thirteen year old girl that takes scissors and rakes them across BMWs. Do I hear them say three or four times that she is Chinese, as if that may be part of the problem? How easy to sit around this table together and make our pronouncements. Not like us. Crazy.
Not like you. If you were any older, your spirits any more decrepit, you’d have your coffins parked outside not your BMWs. Four old white corpses gathered around a table. They aren’t even drinking coffee or tea or eating cake. They have come into this café to meet for this conversation, this weary pep rally to assure them of their supremacy. They will wait until later to feed. After the grim reaper comes to collect them they will feast on the worms that crawl from their cavernous heads before laying back down in their expensive stone mausoleum together, taking turns scratching each others’ backs before taking their respite. The flaking old flesh is raked off beneath their talons, for the white hair and finger and toenails continue to grow, even after they accepted death’s putrid favors.
These undead gangsters of the All American, with their cell phones laying out on the table or clipped to their leather belts. Crisp white work shirts whether they still have jobs or not. Sweater vests to complete the look. Now the bitter grapes are made into bitter wine. They discuss, with raspy voices like the sound of dry leaves rattling down empty streets, the beggars who make $400 dollars a day waiting in busy intersections with cardboard signs. Mashing the sour fruits of their hearts with their brittle fists, they hold their mouths open at the edge of the table to catch the elixir as it overflows. This is all they need. One little sip of envy, and disgust. “Not like us. Lazy. There’s something wrong with her.”
Their own children, because they have pulses, are alien to these old patrons of the crypt who lie down to die before they could come alive, like good Americans.
Is it America? Is it the world? Where is the factory that churns out these creatures of the crypt, these rotting vestiges of capitalist idealism. They will take dollar bills with their worms latter, spreading the wrigglies over the greenbacks like caviar over a cracker. That was all it took to lure them into premature death. The reaper stood in the mausoleum doorway with a plate of crackers bearing the faces of Washington, Jefferson, and Franklin , other old dead white men, and these four came crawling, drooling from the corners of their mouths. The dream that wrapped her ephemeral fingers round their throats like a collar with a leash and pulled them towards her master. It was a dream of supremacy, of comfort, of power and prestige.
Are you comfortable in your velvet lined coffins, talking about your pension funds and how much Ed Davis brought home last year? Blurting out precise figures like a litany, holding your dark mass under poisonous blue skies in the center of a brightly lit café. Making grim pronouncements of “Not like us. Crazy. There’s something wrong with…” and hiding under the gray robes of your precious dream while she grips you each tightly by the throat. Then, suddenly in accordance with the laws of the eternal day born in the age of industry, she gives them a jerk and they fly up from the table like a murder of crows. It’s back to the graveyard she leads them, back to her master in the black cloak with the scythe, holding out his plate of green crackers.
In they’ll go still rumbling their litany, safe within their four walls of stone, safe with their keepers, while out there somewhere the kids are running wild, propelled by the life that surges through their rebellious spirits. Out there in the rainbow jungle the kids are smashing lights and scratching Mercedes and BMWs with sharp scissors and pan handling and fucking and getting high while their fathers are finishing their bedtime snacks and reclining inside of boxes within boxes. Poisonous blue sky, so bright, so clear, illuminates the day, spreads over the empty table where four old white men lapped the bitter wine of their hearts, over the graveyards where they continue to murmur their unhallowed prayers, over the thirteen year old Chinese girls smiling with their scissors at the ready, over grisly faced pan handlers and over me. Ha ha. Poisonous blue sky.