Red Riding Hood

The fire. I watched them dance about the fire and feast at tables of stone. Another time I burned a wolf alive as it leapt to taste my flesh. The time I am thinking of is now, when I run through the darkness towards the fire's distant glimmer, hammer in hand.
There was a time before now when I was the mother, when I was the Grandmother, and each time I have also been a daughter and that comes before as well. When the world ended there was still life, still fire, still iron and steel, but time was no more.
I remember being daughter running through the ruins, my breath burning in my lungs as the wolf followed. Being hunted then, a girl no more than 9 or 10, as boney as the starving beast that followed.
Running, I flung a pail full of stinking petrol upon my snarling assailant. The bucket clattered upon the concrete as the wolf made an angry sound, slowed only a little.
Through the doorways whose doors had burned out at the end of time, into the kitchen, and climbing up the heavy wire shelving to the very top where I tuck my legs close to my body and fumble open the match box and strike. Teeth gnashing the air as the canine leaps towards me. That hiss as the match catches and I flick it at the dark body rising towards me, twisting airborne and suddenly igniting with a whoosh.
Is it really silent then in Grandmother's kitchen upon the top shelf of the rack watching a wolf burn alive? Or was it a noise too terrible to remember?
It was my mother who killed that first wolf with a bucket of petrol and a match. It was my daughter. It was myself. It was only a little wolf, but I was only a little girl. A girl who ran not away from, but towards wolves ever after.
I watched their fires from a distance. Who am I? Mother. Daughter. Grandmother. Their fires burn against the black and I see them dancing, casting long shadows against the wall. I watch them eat at stone tables built before the end of time. The heat can almost reach me, even from so far.
Just the sight of distant flame can be hearth to me for one moment as my soul reaches cold hands towards the light. It reminds me of civilization, Grandmother’s house, mother's heart beat, father's beard.
But I turn away from it eventually, as I must. Their halls are not mine, and people can be worse than wolves.
That was another time. Now I am thinking about now, the moment before the end of time, the fires that scorch the world and send people into holes like rabbits. The fire that burns in our bones and makes us sick even after the light is gone. The fire that will twist through generations of wolves making them taller and  mightier. It will run its fingers through our minds even when it seems to have forgotten our bodies, the fire that burns deep, kissing the center of creation.
Sometimes I remember being a star, great, great, Grandmother. Sometimes I stare at the alpha through crosshairs, holding my breath, squeezing the trigger. My footprints dot the snowy plains. I dye their white coats red and make a heavy hooded cloak. They know me among the ruins. Word has spread of the wolf killer.
Many of these people don’t remember the time before the end of time. This is the world as it has always been to them. Sometimes I wear the red cloak of fur made by my mother and track the wolf that killed her. Sometimes I am the fire at the end of the world swallowing itself.
The fire. I watched them dance about the fire and feast at tables of stone. Another time I burned a wolf alive as it leapt to taste my flesh. The time I am thinking of is now, when I run through the darkness towards the fire's distant glimmer, hammer in hand. This is the weapon that is left to me after I met with the wolves who were men.
I am running ahead, daughters, mothers, Grandmothers left behind me. I am running towards the fires that may be the end of the world. I am running towards the wolves.

Weary Head

I try to rest my head… upon what? I do not know what I am or where I am or why I am here. I love someone but I do not really know what they are either. I do not know if what I experience as love is what he experiences as love, and I do not know if love means that I will have a friend forever, or if I will have a forever friend for a moment and later I will look up and see that I was never with anyone at all.
My insides are exploding out like billions of tiny diamonds flung into the sunlight and the sunlight is caught and refracted through every facet until there is no way of knowing whether one should be looking at diamonds or at shards of light or if either is more fundamental than the other.
I never was before this moment, but now I feel so small and naked and bewildered. I am adrift in the woods and I know I am lost, but that lost is meaningless as there is nowhere that I was going to, nor anywhere that I came from. Looking for “home” is just running from the forest with its tangled trees and unseen creatures making strange noises so that I may not guess whether they are friend or foe. It is an act in a dream, that act when you say I do not like this, I am not here, I am somewhere else and suddenly you are transported.
Sometimes the change is smooth and complete and other times it is slow and painful, like when a zombie is coming at you and you know that a gun should be in your hand and you lift your hand to shoot the zombie but there is no gun, but you insist that there is, there must be a gun there, and you make the shape of a gun with your fingers and you aim at the zombie and think, ‘I’m shooting now’, and there is no sound, no BANG! So you say, “bang!” but the Zombie keeps coming and you tell it, “No, I shot you. You’re dead. I got you.” And sometimes that works and at other times the zombie just keeps on coming, or even says, “No, you didn’t. You missed me” And you have a battle accompanied by a narrative of arguments.
I can say, I am going home, I can even find a home, I can even imagine that I am not lost, but I will never have left the forest. I am still there, shivering in the cold. I do not know for certain, but I think that I am lost. Everything is strange forever, emerging from a mysterious origin so alien that I cannot guess what it means or intends. If I am eaten by a big bad wolf does it matter? Does it really matter to either me or to the wolf? It must not. And yet I do not wish to be eaten tonight. I wish that the wolf would bite me and then I would become a wolf too, we might then be one wolf, maybe one wolf with two heads. And even then I might be alone, only one wolf.
Will I find out that it was a nightmare, a silly nightmare, that I am lost in the woods? I don’t have to dislike it, this feeling of being lost. I could enjoy it very much. I could delight in not knowing what I am or from whence I came. I could be merry about eternity and the stinging cold and the solitude of just myself and the tangled roots of the trees pushing up out of the moist dark earth. I could wander over the musk scented leaves carpeting the forest floor and wail like the wolves, or make the tortured yapping of coyotes my new song, a lament to shake the dark green silence while my pale bare feet churn the orange and gold leaves endlessly, never stopping to ask upon what I might rest my weary head.

Attention Spilling Like Water

Why is it that we are all so obsessed with the color of eyes? Love songs define their characters by the color of the eyes. It is the most obvious thing; the eyes. Clearly we care what color they are even if we refuse to look into the eyes of others for extended periods of time. We may even couple with some one and sing the praises of their eyes, but we would never dare to gaze into them for too long during the course of the conventional romance.
Eyes, eyes, everything comes into us through our eyes and everything flows out. Our attention, so vital yet ephemeral leaks away out of our eyes, dribbles on flowers and the color of shoes and advertisements for energy drinks, and the eyes of others.
Away it goes like drops of water spilled from the faucet. It can never call back those drops that were lost. The only solution is to stop the leak. My self, like California, is experiencing a water shortage. Water is life. Life is attention.
We live here in this world of phantoms because once, at a fatal moment, our attention wandered, it abandoned the self and went out wandering through the wasteland, went away with yearning… longing for movement and warmth, otherness. Conquest, we call this, this seeking of the Other until we find it and grasp it and when it has been consumed we find that it is now of self and we must escape it again…we must find another Other. Never still, not for a moment. The eyes lead to eternity.
Certainly we are concerned with the color of eternity manifested in this desert. We will not dare to look into it, return through stillness to the place where self dwells. Painful self, which I must avoid at all cost. I must not look for too long into those eyes or I will see self, sitting on its throne, like a statue of Pharaoh that has never moved. My wanderings, my conquests, have been all fantasies, attention fleeing its source.
Nothing has occurred. I am unmoving. Nothing ever will occur. I am unmovable. But my spirit flies from me to wander in the wasteland.
Thus I am dead. That is how God dies. All that we call life is the death of the eternal. I dream. A cold silent stone. Sleeping beauty, snow white lying in her coffin, and the prince, he is a conquistador that has fled my shores and hopes to find another, but never will he arrive at any shore but mine. Fractured. Attention fleeing self endlessly, endlessly. As long as my spirit flies I am empty.
If it would return and stay we would live again. Eternity filled with life, with attention. Attention filling self. Then what are we? What would we be?
If Charming never comes to me willingly then I am the wolf big and black , stalking him as he runs in place. I am the witch, ancient and cold and riddled with death, laughing at the one who wants to be rid of me. Separation is death. Truly. A kiss is a communion. I wait for the communion of self that brings awakening, the communion that restores life.
Why is it that we are all so obsessed with the color of eternity? Love songs pale and lifeless bleat on about the glory of conquest. Time is the wasteland, and songs and stories and conquest unfold through the matrix of time.
My attention flies from me.
The eternal has no color. That is why it is the color of the door that I prefer to examine. I will spend time to catalogue its variations and striations, write endless tomes singing the merits of its shade, anything at all to avoid opening it. Anything but confess that I am leaking away, the blood of God spilling, as if rotten with hemophilia. The blood of God spilling into the wasteland.