Bridge Keeper

The sun is setting in Paradise. As night comes, he might spend an hour out there, standing on the old cement bridge, without seeing a single pair of headlights cut through the darkness on the distant road.

The Bohemian, with a red tie, he has a tattoo on his right hand, three dark-blue dots in a line near the wrist.

His countenance is reserved and thoughtful, dark hair, dark eyes, a face so finely proportioned that it could almost be feminine.

The equinox has brought with it Northern storms that leave the spangled skies hard, cold, and bright after their passing. Broad leafed and lush, dark ferns grow up the face of the arroyo like a living carpet at his feet.
Behind him, a decaying fortress, packed with dark-clad figures, clings to the edge of a precipice. In the darkness and silence of the night there are hidden forces at work.

Weather-stains scar the old bridge with shadows that seem to spill away from him as I approach. He rolls his lovely full eyes, flashing them at me for a moment.

A certain haggardness is perched upon him. It looks like he might have been up for five days straight.

I try to see the world as he does, participate in his innermost thoughts, ascend a doorless staircase, cross the entrance to his spirit. His mind is free of fearfulness; an aberration grown from mere eccentricity into an immutable attribute.

"I don't see why they should have sent you down,” he says at length, breaking the spell.

"Modestia is a beautiful virtue.” I reply.

His respondent laughter is soft, cool as a shaded pool. I notice the good rich smell of his breath.

"What did you see today?" I ask.

"All I can see, I see at once, and every moment I see," he responds.

There is an edge to his tone. Restrained as he is, to an extraordinary and painful degree, the belief of his heart is in force and in pain.

He calls himself a puppet who can see the strings, but he is much more than that, The Lord and Knight of the Dark Void.

Men gave him this name in view of his claim to honor; for shining in darkness and in the shadow of death, for fighting, slashing, and dealing swift ruin in red combat.

To comfort his heart, I pass him a bottle of rum. Wafting across the improbable reddish purple night sky is an old song from the ancient garden of dreams.

We look to the fortress. The sight of the revelers appears to interest him.

Their faces stand out strangely in the lights and shadows of the tower, black-clad automatons basking in the cigarette glow of their own impossible glamour, conspirators convinced that their plot will succeed.

Frolicking in little notes, the music now quickens into rich tones and swells before bursting and toppling into silence, diminishing as if it never were.

His livid lips do not move, his eyes gaze unblinking, the bottle resting untouched in his hand. Distant stars gleam quietly over the lush oak forest undergrowth, frozen in stillness.

The most important music lessons feature no music at all.

Without a word, he returns the bottle uncorked and resumes his study of the distant road, absent of light.

Storm Of The White Wolf

All the ideas that I had, all the memories pulsing out from my core were like a distress signal reaching for the Big Other. I had come un-tethered and was drifting out in the storm of the white wolf. The city was rubbing against my skin, demanding that I let it back in. As much as I might have wanted it, I continued to resist, caressing with one hand and slapping with the other.

Whatever I had been was gone. Seven years of cellular rejuvenation had left me sparkling and new. Food made me heavy. What I craved was sunshine, I wanted it in my darkest hungriest caves. A little bird pulled grasses from the crack in the sidewalk and flew away as I approached, adding it to her nest. I ran away down the street, wind in my face, just barely cool enough to temper the warmth of that yellow star I so yearned for.

A bicycle lay abandoned by the side of the path and a young man was seated beneath the mother tree whose roots jutted out of the embankment like long talons. He smiled as I passed. I ran. Whatever I had been was gone. Assuming that I would stop and speak, who would be speaking? The cells singing for life and sun and run, run, run? The language coiled round my mind? Some third party seeking brokerage through them both?

I had stood and looked close at the tanned muscular bodies ahead of me, had thought that I could almost feel what it was to be them, that if I reached I would become one of them and never know I had been another. Suddenly I felt my tall pale soft body and knew that it had already happened before. That I was within the most recently inhabited other. I was the stranger I longed to experience.

At the feast we dined on the larvae of some invertebrate species and drank fermented spirits from slender stemmed goblets round as grapefruits. We had been made aeons ago to travel space and time in the service of our masters the Illuri. They traveled through us without ever leaving their crystal palace at Theruex. Slowly we forgot them.

Our DNA mutated in response to the radiation of the yellow star, changing the design synthetically manufactured long ago in a system far from recollection. We had been designed to change many times, to adapt, to thrive, to snake our way through the universe on their behalf, and yet we had come to a place where origin was so distant we could no longer imagine it. Still further we would travel and change.

There had been a viral invasion at one point after which we could not remember whether we were the descendants of this infection, or whether we had descended from the yellow star, or the shadowy Illuri inhabiting our dreams. All these factors pulled us in different directions from within. We would run. Having come un-tethered we drifted in the storm of the white wolf. Whatever we had been was gone. Seven by seven had left us sparkling and new, hungry for the heat of a yellow star.

Connection

He showed me some pictures of our not yet conceived experiment that I had relayed to him from a distant space time probability . We were not well acquainted, but shared a mutual interest in the transgressive applications of astral light put forth by G.

"True creation is not about words. It's about tears," J. said.
The connection between us was instantaneous. We built delicate structures from hydrogen, oxygen, and carbon. I thought it best to make observations and adjustments from a closer vantage point.

I was now diving into some kind of primal network, a tightly woven system of existing and evolving quantum worlds. The details were quite clear. I transmitted the schematics back to J. using a patented method of intervening and tapping into the quantum communication capability of carbon based neurons.

To develop a system of emergent intelligence I tried to reach the part of my own brain that processed fear and mapped our creations after my own design. We wondered if there might be some danger inherent in this method.

"Will the thing that passed through the makers still live?" J. asked.
"Only if there are some specimens willing to leave the safety of consuming behind to become makers themselves."
I suddenly realized this is where I would meet my fate. Despite risk and ethical ambiguities we pressed forward, certain that a sacrifice was called for. I would have to go deeper.

Due to the similarities between my own system and our manufactured systems the interface was often confusing. The delineation between self and other grew blurry.  On the day of my final descent J. suggested:
"If we loose communication, don’t stop, especially not when you feel lost. The best method for finding the way when you feel you have lost it, is to keep going. Ignore the question of whether you’re going in the right direction. If you stop when you feel lost, you will remain in the land of the lost."

As I became more entrenched in our designs, communications with J. were indeed severed by electromagnetic interference. I had entered the black valley. In the interior I met with the ministers of culture.
"What has become of J.?" I asked them
"We are sorry madam. He is beyond our reach. We have prepared a place for you among us that you might be comfortable despite your loss. "

They offered me sustenance but I refused. I could no longer remember who J. was but  I just knew I had to keep going. If I could break through to the other side I would then accelerate forever becoming both more and less than I had been before whatever it was that I had started with this mysterious J.

Swine

I feel fed on by ravenous crows, a murder of them tearing at my spirit with hungry maws.
At home I make an appetizer plate of it and offer it to my children. Them I wish to feed, but they won't eat.
I return to the town square and they take and trample my gifts under a pretext of civility and general goodness. They tell me what a wonderful job I am doing and ask me for more and more. Then they take it and chew it and spit it out. 
I feel weakened to the marrow afterwards. I keep returning to the village for the benefit of my children, but who benefits from the con of life?
My children like to play with the other children but they don't do the work the townspeople give them. And I spill all of my life blood and effort on the cobblestones in the square, for the benefit of the community, but who is watching for the best interest of my own brood?
What sustenance will they gain if I waste all the nourishment I have to offer on swine and let my offspring be indoctrinated by swine?

The Big Nothing

If I could be free of familial obligation I feel that I would have the same sensation as someone who has mastered an addiction. If I could contentedly go through my life knowing that I would never bend to the will or whim of my parents, so much of my time and energy would be free that I would surely rise like a phoenix from the ashes.
Damn them for giving me life then exercising all of their energies towards the end of subverting that life to their own wishes and desires. Damn them for seeing me only as  an uncooperative place holder in the symbolic order. Category: daughter, type A, first born.
Damn them for assuming that my existence is about them. Example: If I am not there it is to make them sad, depressed. Damn them for making me responsible for their emotional state. If I were to have continued to do the same I would have been dead long ago, suicide note reading:
“I have tried my best. Nothing I can do is good enough for you. Why must love be contingent upon approval?”
I ran away once and got no further than Lakeland Village.
Later I got as far as San Francisco and it might as well have been Mars. I felt happy and free. More myself than I had ever been permitted to be. Love and Will were more important than material things and these in true form could never be subject to approval.
But several times a year I must be dragged back into the underworld, into the land of the dead. Because while they lacked the ability to think of my happiness before their own, I did not. I would go and try to give them the pretty picture. I would not say any of what I really thought to them. I would let their hurtful words and way of being wash over me and not struggle against it. My mantra was “I am a duck.” I had the promise of  leaving their presence to get me through these visits.
But each visit was as toxic as a nuclear blast. Before and after I was sick. During I would almost die.
And at last my connection to them was tenuous at the most. The stronger I became the less reason could be seen to consent to participate in their play. The only reason as always was, “to not hurt them.”
But these miserable people were endlessly hurting and always the blame would lie somewhere other than within their own disturbed psyches,  rooted somewhere other than in their many poor choices, somewhere other than in their own utter lack of illumination.
If I were to tell them the truth would it be kind or cruel?
Kind or cruel?
Kind or cruel?
That for me, the interaction is corrosive, futile, unnecessary and harmful to all that I strive for.
If they cared for me as an objective entity at all, they would leave me alone and seek their happiness elsewhere. They would not make me come back, they would not force me to take the communion of pain and eat of the flesh of  their woe and drink of the deep back blood of their despair.
They force it, but I could say no. I could make a clean break if I told them the brutal truth.
Kind or cruel?
I keep trying to give them what they say they want. I keep trying to be good for the BIG OTHER, the eye in the sky that is watching over my deeds.
And yet I want nothing more than to flip them all the bird, Ma. Pa, and Jesus too. I want to set the world on fire.
I keep turning the other cheek, good lamb, but within me a wolf is growling. The real in me begs to be freed of all the empty gestures that supply the emptiness the symbolic order demands, the emptiness my parents crave, the big nothing they have sown.

Secret Journeys

I found myself in the street, feet carrying me swiftly along as though with a will of their own, the scent of flowers wafted to my face and tantalized my olfactory senses. I thought at first that I was imagining it, or that somehow it was the quality of my mood. But it soon dawned upon me that the breeze was actually carrying the perfume of roses in bloom, and that I, miraculously, was able to perceive it.
The sky above was a patchwork of blue and thick low clouds being pushed along by the brisk current of air. The sun was warm on my skin and the breeze would brush that warmth away, leaving its own cold touch on my naked arms and face. 

I made my way beyond the street with its smell of fresh tar into the little field where the grass was yellow and short and the trees grew in various sizes. The earth yielded soft beneath my feet, moist pliant earth beneath dry brittle grass.
I spied a strange insect in the path of my footfall and changed course without loosing the rhythm of my step. This happened so quickly that I didn't have time to think of it. It was a reaction from deep within. In fact, I was watching the earth closely as I stepped, avoiding trampling small flowers and other tender live things that had made the effort to push up through the soil.

I came to the pine tree whose trunk split low and sent two arms running  parallel to the ground before they reached up. Another arm rose directly to the sky.
I sat for a moment on one of the low arms and a small insect similar to a bee hovered near my face. I wished it away and stood, but I could hear its buzzing for a while, even though I couldn't see it anymore.
I remained standing under the tree and noticed a small bird standing on the side of the erect pine branch as though defying gravity. I wondered at its tiny claws could grasp the crevices in the bark to hold it in place. Observing it until it flew up into the canopy, I became aware that the entire tree was aflutter with its little brethren plucking insects from under the bark, hopping and flitting from branch to branch and chattering merrily.

I must have stood there for a very long time watching them. Their bodies were small and round, their beaks straight, their feathers a dark gray on top and their bellies a faded dust hue. Their movements were rapid and constant, their voices bright, expressed in short bursts full of conversational tones.
I was so enthralled and still that one eventually nearly landed on my head. Only at the last moment did I stir in surprise and it averted its course as easily as I had altered mine to spare the bug in the grass.
The bug I remembered had stirred, thus catching my eye, and I realized that just as I had seen the bird coming, so the bug had seen me. As my motion alerted the bird to my identity as “not tree”, so had the bug's movement alerted me to its nature as “not grass.”

I thought the birds seemed a bit quieter after that and I thought that perhaps my presence was now inhibiting them. So I bade them a silent farewell and resumed my walking.
My feet lead me back to the concrete sidewalk. As I followed its winding course uphill I spied a different cluster of birds in the shade of a low growing tree.
They were larger than the others and moved at a leisurely pace picking through the fallen leaves in search of grubs and bugs. They spoke to each other less frequently, taking long pauses between statements that were musical and unhurried.
As I drew nearer one or two announced my arrival with increased urgency and they flew up into the tree. A few remained on the earth watching me, one right on the edge of the sidewalk. He remained in place maintaining his air of calm though watching me attentively. As I approached I saw that his belly was a warm orange color and I crooned to him:

“You are so beautiful, what kind of bird are you? Are you a robin? You must be a Robin with a belly like that. You are so pretty.”

He watched me and listened to me.
Soon I was gone, feet returning me to the street. My mind surged forward to home and the walk was over. But the next day I left the house again taking a similar path.

On the street I noticed right away the moisture in everything. The smell of it was refreshing, it was the smell of rain that has yet to fall.
The sky was gray and the air cool but I had on my sweater and felt very comfortable. I breathed deeply that moisture infused air and walked on.
It wasn’t until I was on the sidewalk near the field that I knew I would enter the same way that I had on the previous day. I had intended to stay upon the path but as I neared the field my feet felt called and I stepped unhesitatingly onto the soft earth. I watched my step as I had before, but I felt that I was moving quicker, that my powers of observation were perhaps less keen than on the day before. Nothing that I could see stirred in the grass but I left green things undisturbed.

I made my way into the trees and was greeted by an unwholesome sight: white and beige feathers strewn in mangled heaps. I slowed and took in the signs of a violent struggle, but found no further remains.
There was no way for me to know, but I felt certain that they were owl feathers. It was as if the feathers could whisper to me the truth of their origin to me.
Head swiveling uneasily, I stumbled underneath a pine and realized that the canopy above my head was heavy with a litter of leaves and twigs. This I thought was the owl's nest. Hurriedly I got out from underneath it. There was an unclean feeling beneath those branches. I tried to look into the nest, but it was too high.

With no further interest in lingering in the area I left it behind and ventured to the tree I had visited on the previous day. It was utterly silent. Gone were the chipper little birds that had animated its canopy.
I paused for a moment letting the silence enter me. Then I continued on, taking a detour through some shrubs before re-emerging on the concrete path.
As I approached the hill I saw a man leaning against the rail further up, so I parted ways with the path once more. Tromping up the soft slope, my boot heels sank even deeper than they had in the field. The earth fell away beneath them to cascade downhill. It was necessary to take great strides to gain ground. As I passed  the area where I had seen them, I looked for the robins, but they too were absent.

At the top of the hill I swung my legs one at a time over the rail. I had successfully avoided crossing paths with the stranger and overtook the path several yards above him.
I was careful not to look back at him. His presence was irksome to me, an interference with the sublime solitude. He was to me an agent of the symbolic order, the eyes of the BIG OTHER prying into my secret life.
From the corner of my eye I could see his head turn towards me then away again. I wondered if my presence was to him as his was to me.
Home was in sight now. I let it come to me before I could come to it and the street melted away like spun sugar on the tongue.

The People Under The Hill

Every step a heavy clop, every shape hidden in the grass bleached white by the sun seems to be a bone, a piece of hide, something that reminds one of violence and death. Right on top there is polished glass and coffee on the house during the monthly “meet your mayor “ gathering.
I’m here in the middle of it. Is it my imagination or are they looking at me? Wondering who I am.
Oh, maybe I’m a journalistic reporter writing for the Lake Daily. Or maybe I’m just a hanged woman, stopped by in search of an electrical outlet so that I can paint on the cave walls.

Birds flew, two jack rabbits skipped, and two butterflies whirly twirled in the hills of Franklin of my mind. Of my mind.
These are the real hills of Franklin and they are of my mind. Does it matter if it is a nightmare as long as I’m lucid and cope the best way I can with each situation as it arises?
Lemony scone reminds me of Opa’s raisin cakes. Oh, so delicious! And they wear ties in this heat, being all so official. There is a man in the corner being massaged and their voices go on and on, the music that is noise when you try to shut it out.

I keep wanting to sing, to shout out and scream. With joy actually, or to remind myself that on this ride, I am alive. I am not a part of it today, I’m just passing through. Passing through.
In borrowed shorts and rhinestone wife beater. They are probably wondering where I went. I maybe should have said something, but it makes me feel better to do without asking for permission. Easier to ask forgiveness than permission, it's true.

The princess? She’s gone too.
Oh they fired her? She was pregnant. Yeah. Silence.
The City Of Lake Elsinore. Does this mean that they understand each other? That they don’t?
The scone is really quite delicious, has big crystals of sugar on top and plump raisins inside. I even see a gold name tag.
Is this everyday in here? I’m told it’s like this once a month, but will it be that different tomorrow? Will the same people be here buying coffee?

How strange, the crowd cleared from around the free coffee and I rise to liberate some myself. I return and there is a small dirty plastic tea cup in my seat. Right where I was sitting. Just big enough for a Barbie or a pixie.
What does this mean? There are signs everywhere. Pink tea cup means go home. Get out of here before the mayor arrives and I can’t squeeze out the door. Or maybe it means drink deeply.
Or perhaps because I was thinking of taking this coffee to my mother, maybe it means, nice idea, here have a cup on the people from under the hill.
But in this case the people under the hill are dead whores. Is that so different from will o the wisps? Perhaps not. In any case how nice of them. Thank you!

They are now serving gelato! All summer long! Ants crawling out of the big cracks in the earth. Giant black ants the size of my pinky finger nail.
They have built little walls of stone around them and one ant leaps onto my camera tether and swings for a moment before leaping off. Are these the ants I played with as a child under the mountain? They were this big , but they were red like candy.
Like plump raisins in a scone.

Magick

It doesn’t hurt to see something new.
What about finding magic right here? In the woman in the white hoodie who seems to come up from out of the sea and hurries past the post office? In a little boy asking his father why there’s ham in his breakfast sandwich? In the hat that blew down the street, as if in the hands of phantoms, always just out of reach of the woman who chased it?
How about these scratches in the metal window frames? Looking through these windows reminds me of looking through the window of the train, the Pacific Coast Surfliner, seeing the waves through glass. Here the windows are covered in a film of dried salt spray.

What about the music? It’s  sultry rock, reminiscent of the Velvet Underground, probably something new, but slowly rocking, fuzzy, half dreamed music. Without it there is the whir of an espresso machine, the titanic hum of an old refrigeration unit.

The wind rattled all night, I was awake before I was ready, sinuses distressed by the pollen explosion called April. Rain, wind, sun, rain, sun; a conspiracy for the propagation of flowers.
In my dream the scientists lowered the lights and sang like dwarves about Terence McKenna and the deep dark expanse of space.
Then suddenly I’m here and it seems clear that this scene isn’t meant for me. I should be lighting candles and performing secret rituals behind black curtains. Whatever possessed me to attempt to balance a hot beverage and a netbook on a small round table, badly balanced on the tiles? Maybe the same thing that took the woman’s hat…

The wind! It blew me off course in the night and here I am in Pacifica, California.
Where did my train car go? I never was in one. It was a space ship and the OTHER was on the loose. I led my sister to the 24th deck were the scientists were working away on theoretical problems. I explained what was happening.
“There is an alien on the loose. It looks like…” I struggle to describe it, to remember it, “like a crayfish sort of. Well, it will lodge itself on your face and lay eggs inside of you and later the offspring will explode out of your stomach.” 
The scientists, at first disbelieving, now appear frightened. I indicate that they should cover their mouths with their hands, and under no circumstance hang their heads over the edge of the bed to look underneath. I have a pencil with which I intend to stab the thing if I see it.

“It could be anywhere at this point.”
Everyone looks anxiously around the room.
“But don’t worry,” I comfort them, “I have this.”
I indicate the pencil,
“I’ll protect you but you have to come up with a plan. You have to think of a way we can contain an area to keep it out, then a way for us to kill it.”

Earlier, I was fleeing its presence and was separated from my team. We were in the midst of taking action in accordance with our plan. I saw my team leader Cam go one way and I went another. The elevator doors opened and another Cam came towards me, I turned to see if Cam number one saw Cam number two coming.

“Cam!” “I called, “It’s you! It’s you from the future!”
But Cam from the future was in a hurry and couldn’t wait for Cam number one.
She grabbed my shoulders.
“Listen to me, it’s not going to work. You have to try something different!”
Then she had to rush away, into another glowing portal of light.
That was when I decided to consult the scientists.

“This scone isn’t as biscuity as I would like. Is the coffee cake the same price?” I ask.
“It’s less.” she tells me.
“Well, I don’t care, I’d rather have coffee cake.”
We make the trade and she gives me back seventy five cents. What am I doing here?
There’s a little boy playing Jenga at one of the round tables. An orange balloon is stuck to the window under the words pastries, cookies, cakes. Outside the waves look swollen, the sea is choppy.

What about the music? It’s  sultry rock, reminiscent of the Velvet Underground, probably something new, but slowly rocking, fuzzy, half dreamed music. Without it there is the whir of an espresso machine, the titanic hum of an old refrigeration unit.
What about finding magic right here? In the woman in the white hoodie who seems to come up from out of the sea and hurries past the post office? In a little boy asking his father why there’s ham in his breakfast sandwich? In the hat that blew down the street, as if in the hands of phantoms, always just out of reach of the woman who chased it?
It doesn’t hurt to see something new.

Walker on White

All the birdies sing for me because I am a golden child born of winter morning and an endless spring of the heart.
Do you see her long flowing robes of silver, the sterling furs, the crown of antlers? My mother the wild wood has come down to dance for my birthday and silver moons shiver off her undulating belly, rams frolic at her heels, foxes lick her finger tips and prance into the hollows of ancient trees.
They have music in their cars, I think, and I smile imagining all the lonely people listening to music while they drive. I imagine Oberon noticing their music and then I realize that they are music, that the highway, the sea, the trees, the entire globe and everything shimmering on its skin is music.
What God knows or cares that we call them cars and we believe we are hurrying to important things in them?
No God knows or cares, or no God that I would see worthy of admiration.
The Lingua? Let them take the words from my brain and scatter them like crumbs for the birds. Blue birds, black birds, doves, sparrows let them feed on the remains of a psychotic break as the language bleeds from the artifice formerly known as myself and the Ligua dies and I cease to exist.
Will this be my birthday mother, when you touch my face with long pale fingers and I go black eyed to the mulch and white worms? Will I dance and sing ecstatic as moon eyed coyotes tremble faun-like and drink the dew from your lashes? Will grasshoppers make of me a dress for their bodies and wear me wherever they go? Will I dream animal dreams under a velvety blanket of darkness, the sun setting orange and pink over my brow?
Music in the pulse, in the breath, in the teeth, music without words scattered across the universe in the pulsing of white stars.
I am pushing up delicate green tendrils of life, unnamed, daughter of unnamable. We are all united here in the kingdom of light and dark, dancing our dance.
Do you see her long hair flying like pale streamers to tangle with moths reaching for the moon's pale fire? Do you see her eyes glittering as dark pools where deer lower their heads to drink? Do you see her thus etched out in shapes loaned by the usurper demiurge? Or can you see what I see with eyes like burrows prying into the womb where silky rabbits dream?
I remember human and I laugh. I laugh at hands and eyes and shit, always at shit.
The Sabbath is then over, as my head comes back together and I know the meanings of the sounds that carve a world in my nervous system. Always forgetting what we were and are and will again be only to remember it again when Lingua is once more toppled from his throne.
Does the chick return to the egg? Of course. Capitulate. Fall away, I command it, fall away like leaves of gold and umber from the stark white bodies of trees, oh Lingua.
Come winter bleak, dear winter. I am a walker on the white, two faced, undying shape shifter. A golden child born of a winter morning and an eternal spring of the heart.
Cup my waters in your hand and touch them to your lips if you would join us in the kingdom forever. And on my right hand sits brother Michael and on the left Uriel, for about me flames the pentagram and in its center stands the six rayed star.
Etched in the lego of our entrapment, but building freely. Cracking the world's shell and building it again.
I will return. But which is the coming and which is the going is not mine to know.

Sixteen Below

He tells me of the first time he met Allen Ginsberg. He was a young man, an independent reporter from New York come to Boulder Co. to interview Ginsberg about a planned act of civil disobedience. There was a factory there where the triggers for the Atom bomb were being manufactured. Ginsberg planned to sit on the railroad tracks thus preventing the train from reaching the factory.

My friend follows Ginsberg into a house, his mind racing with thoughts about the other man's homosexuality, asking himself if he could really say no if Ginsberg wanted to have sex. The first thing he sees upon entering the house is a woman giving a man a blow job.
Ginsberg is oblivious. It takes him a moment to realize that something is going on. When he does, he merely says, “Oh, lets go upstairs.”
Upstairs my friend sits on Ginsberg's bed beside him. His heart is pounding. In addition to concerns over sexuality, his mind is embroiled in the matter of the first question and what his peers at the radio station back in New York will think.

“Mr. Ginsberg,” my friend begins.
“Call me Allen.”
“How do you reject nuclear madness?” my friend blurts the question out spasmodically.
“I don’t reject anything.” Ginsberg tells him. “I’ve come here to make love to plutonium, to sit on the railroad tracks and be connected to it, to be connected to everything.”
Ginsberg suggest that they do some free associative poetry spinning. Gazing out the window at an empty curbside he lays the moment on my friend. All of this, along with the rest of the conversation, changes my friend's life.

He tells me this, and he tells me that he has never told the story in quite this way to anyone before. He has mentioned interviewing Ginsberg, he has mentioned having the recording in a box somewhere.
He has never had this moment before. This moment is new, unique to us, we two who are reflections of one another, who create with words our identities from the fabric of fear, the fear of being.
We sit in silence and look into one another's eyes, dissolving for a moment our creation, our creation of the world and the other to inhabit it, the other to speak to, the other to wonder at, the other to fear and to love.

We don’t know why this is possible, this silence between us. It allows my friend to tell me his story in this particular way for the first time and the only time.
We could try to recreate it, but it will never be the same. We will never be the same two people on the same day in the same place, daring to press against the veil of fear. Daring to speak and be heard. Daring to listen and accept everything.

Barbarians Are Coming

The end of the world came and went and nothing perceptible changed. We stood around rubbing our eyes and blinking on a bright winter morning a week later asking each other how our end of the world was.
Josh, the honey guy as I thought of him, was wearing a pair of blue gloves with detachable mitten tips. These little caps were peeled back so he could work his digits and in each fist he held a jar of honey, a silent offer of trade. I told him how Lydia, who worked for the Bavarian Bakery, and I made music and danced with a church of ravers in a building like an old castle in Oakland. He nodded and told me that he attended three different solstice ceremonies in San Francisco, the last occurring at a beach in the Sunset district. My turn to nod.

We had all been here a week ago, a day after the twenty first, while a rainstorm raged all around us. As far as we could tell, that was the sum of the apocalypse, a cold heavy rain and a wind that threw canopies over backwards and tore their aluminum legs in half like a starving yeti mangling some black eyed Bhutanese doe.
We all huddled in our individual camps, by cars or trucks, and waved to each other through the tempest but couldn’t speak. Inside the back of a big white Cargo truck I was standing huddled with Sing and Backtaur by the portable tandori. We had hooked this and the steam table up to a propane tank  right inside the truck's cargo hold. Whenever some brave soul skittered across the parking lot under an umbrella I shouted:
“Samosas! One dollar!”
Often my shout drew them to us like a lighthouse beacon and they shivered below us, faces peering up over the mammoth truck's tail gate awaiting a cup of hot chai and some steaming curry.
In the moments when the storm was most violent we felt it battering the truck and fairly cringed looking at each other with wide eyes of amazement. Then Sing would laugh his pure, rich laughter and I would murmur:
“What a wind!”

Now and then the storm would tire itself out and be still. Then the birds came out and somehow found Sing, who always remembers to share the bounty of India Gourmet with the littlest market patrons. He threw his customary handfuls of basmati rice seasoned with cardamom pods to them. More birds than I had ever seen at the market came to the feast,  multicolored varieties; black with red wings, black with beady yellow eyes, tiny brown and black sparrows, larger brown speckled specimens with long yellow beaks,  lumbering midnight hued crows, side by side in a temporary truce, all gobbling up the offer with urgency.

“They are hungry.” Sing boomed with his deep musical voice, “They can’t get their breakfast in the storm.” He threw them more and more rice, a tall man with a jolly belly, a white beard, red turban, and big glittering brown eyes, a Sikh Santa of the birds.

So it rained, but the world was still there a few days later when the clouds blew away and we could come out and check.  We were disappointed, let's not dance around this point, we Americans born in America. We clearly wanted something to happen, probably different things depending upon each person's particular background. Flying saucers full of Mayans, or Jesus with laser eyes, or a spontaneous psychedelic awakening to free us from our petty and deeply artificial consumer culture.
We wanted to stare the grim reaper in the eyes in a way that was never possible in a society where children are told to close their eyes and step over the bodies of their massacred peers, where we are only permitted to see death once it has been washed and painted and put in a box lined with satin, where we are assured that our nation is the mightiest and will never fall so that what we really fear is an unbroken and monotonous horizon whereupon we will never see the outlines of approaching barbarians.

We hoped for a reprieve from the unending sameness and safety and guilt inducing comfort and might. We longed for something real.

I  think that secretly many of us held on to hope until New Year's Day. We let ourselves get excited again on the eve of December 30, fingers crossed for the twins, death and rebirth. Then we woke up and the sun was still shining. Is still shining.
But Americans will never give up. Even our elders were running like lemmings towards our artificially imposed fiscal cliff, seeking to plunge ourselves and the world into an economic down spiral, only turning back at the last possible moment.
Many others will no doubt arrive in public buildings with semiautomatic rifles in the coming months. We are a suicidal nation. It would be too difficult to admit that we are sick  and make changes. Much easier to set the world on fire so that we will never have to admit our shortcomings.

Or maybe change is here, fast and invisible, in the embracing of the artificial. Maybe we are saying goodbye to our earthy roots and our old social and moral codes as we somersault blindly into the heart of our techno creations without regret.
Our children will be the future, not our flesh and blood offspring, but our spawn  of micro chips and liquid crystal. The change may be here and we are simply blind to it as a mother is blind to the inch by inch growth of a tot she sees every day. Each morning it appears to be the same child and yet it is transforming right under mother's nose. In 20 years mother will be obsolete, all that the child needs of her it carries already within itself, in the software and hardware she provided. The child will spread its wings and fly and mother will be both a cast off shell and a voice within.

A death and a rebirth. All that we hoped for but dared not admit to ourselves. The other from within, the ultimate barbarian on the horizon.

Direct Experience

Terrible questions looming just beneath a thin layer of bone and flesh. Tiny capillaries doing their best, a silent symphony of flowing red life pulsing beneath the surface. Terrible questions looming.
If I am not what I think I am, then what am I?
Antero Alli mentions that the awakened human brain is the alien and that those whose brains have awakened are the aliens among us and can be recognized by the light in their eyes.
He says Timothy Leary said this, and his host becomes stricken, turns ashy and stammers: "I've never heard that."
Ali laughs, "This was in a private conversation."
Ha ha. The man who has read all the books quivers when he meets a man with a direct experience of a third man whom the first man with all the books has only read about, but feels he knows.
Can't follow that? Am I being confusing or are you being dull?
Trick question. The answer is both.
Terrible questions looming, questions worse than these. An uncomfortable feeling that can almost be drowned by television and social networks and booze and parties and romance and cinema and literature.
Will it make a good comic book? Will it be a three part television miniseries?  Can we sell it? Does the second man have any idea what the first man is talking about when he says direct experience?
Ashy complexion. Uncomfortable voice.
Now things have gone too far if we are talking about aliens and the light in their eyes. LSD, ok, secret oral traditions, ok, aliens with light in their eyes, no! No! No! He's gone too far. How dare he?
We are only interested in reality here, which we have a clear understanding of thanks to the books written by others claiming something called direct experience.
Fuck it man, are you really still reading this?
What I am trying to tell you is that you should eat something from outer space that just might help you access a little inner space.
I tell her that mushroom spores could have been carried to this planet on comets.
"Are mushrooms really from outer space?"
Everything on this planet is from outer space baby.
"Yeah some scientists think that water was first introduced to this planet by comets. Bacteria too."
That's right baby, we are all stardust.
"The alien doesn't necessarily come from outer space, contact is made in inner space, and why not? We ARE the alien."
No! No! No! We've gone too far.
Terrible questions looming. Shaking the foundation of what we know. But brother there is a serious difference between gnosis and what you think you know now that you've read all those damned books and posted those comments about the video online.
God, if you're still reading this it must be because you don't know where to find the mushrooms.
Listen, listen, you should try printing this out and eating it. Right now.
At this moment you're just reading some shit somebody else wanted to say about what some other people said.
You should eat this. Go ahead. Take a bite. Chew. Swallow.
That's a direct experience.

Two Angels

Don’t break the silence. One word, a single word could send us crashing down into the terrifying gritty details of organic existence. We hold our breath, two angels poised face to face, the substance of our intricate bodies swirling and crawling with electric light. We are two angels who share one mind, one center held between us in the tenuous absence of thought and motion, so still that we are almost not angels, we are almost nothing at all.

Don’t break the silence.  We have two faces and each face contains two more faces, which contain two more faces, which contain two more… Watching the kaleidoscope of apparent being shifting across the surface of ourselves, our eyes grow ever wider.
Yes, angels have eyes. And tails. And wings, and horns, and ears, and fingers, and toes, and rivers, and forests, and ponds, and stars. What would be called flesh is a multicolored light show, but it will all shatter and melt and cascade into tight places if we make a sound just now, any sound at all.
So we are silent.

Bursting with music, we bite our tongues, press our ears down against our heads, freeze our ponds and hold it in. For now.
Eventually we will let it out in torrents of song that will carry us away from this place, up for a while, then down, then perhaps up and away again. We’ll ride the sonorous currents hither and tither, rippling as we go, dissolving, emerging, shimmering, vanishing, gleaming...

But for now silence, cradled between us like a sleeping babe, a pearl set in a silver ring, a solitary star shining in indigo sky, a crystal goblet upon a golden table. Hush, hush, our eyes blink to each other, two and two, faces sliding away like night and day.
Hush, hush glistening lashes flutter, hush, don’t break the silence.
Don’t break the silence.

The Matter

Something is hidden, just beneath the new surface, beneath the chaos and rubble something lies hidden. Behind the symbols and overt gestures, under wraps, underground, something other gestates.
Even in the places that you thought were wholly yours, even there, something that is not you has been skittering around the edges and dark corners.
There is an entire floor  of your house where the Other is at work. You have never been there, have never seen it, have never suspected when perhaps you should have.
There is another hidden within you.
Outside too, the Other lurks, and what is outside may find its way under your skin. What is inside controls your destiny without your consent.
There are those who dig deep into the secrets, searching underground for their self. In the center of a war zone, in the worst part of a ghetto, they are working diligently to gather the necessary supply of energy so that they may unearth and awaken their sleeping self.
It may take 20 years of consistent effort and everything they have worked to accumulate may be lost in an afternoon. Nonetheless, there are those who work at the center of the storm, quietly, secretly, unnoticed, reaching for the impossible against all odds.
Then there are those who stay on their own floor of the house, never asking questions, making many assumptions, assuming superiority, assuming knowledge. They try both consciously and unconsciously to keep the Other away.
Despite their best efforts, however,  it will find its way into that space they thought was theirs exclusively. It will rise to the surface accidentally, unexpectedly. It will grow to a point that what  was Other is now simply self and what once was self has now become Other.
One may be a helpless victim of the back and forth struggles of Other and self by trying to avoid the truth. But one who seeks to know the Other finds power.
Something is hidden, just beneath the new surface, beneath the chaos and rubble something lies hidden. Behind the symbols and overt gestures, under wraps, underground, something Other gestates.

Disappear In The Dark

I just wanted to lay down in the dark and disappear, one more phantom in a nest of nothingness. Say goodbye to kisses missed and kisses stolen and kisses desired, to soft cheeks and hands clasped and smiles from the wrong men. No more mothers, no more fathers, no more ancient primate prerogative driving from the depths. I would end the quest for biological immortality, the fear game, the tug and pull to be the one, the only one, the Queen of the Heap, the one to survive. 
What roused me from my usual exhausting efforts to preserve my identity was a chamber of mirrors, an expanded perception of self that allowed me to view the animal in the box through a tiny pinhole. That animal there, covered in hair, endeavoring to conceal its animalness with words and thoughts and fashion and rouge, that would be me.
That would be me there, struggling against my mother, against my sister, against all the king's concubines, rushing to capture the blissful prize of dominion, of the power of being. There are many, many possibilities and I am striving to be the one real self, the one that beats the others back into the abyss, the one who claims validity from the annihilation of all other possibilities, struggling for control of the gene pool, for control of the world, for control of reality.
Once upon a time I wanted to escape the cool dark stillness of nothingness, which is also the white noise of everything at once,  so I was born into this world. But what is here called “life” is in fact death.
I sacrificed the endless multitude for this experience of singularity. I have become separated from the larger body of My Self, the self that exists beyond time and beyond space. I have burrowed deeper and deeper into an angry psychosis, a desperate attempt to escape the Other who is myself.
And yet, even here in the shadow world that I have created the Other is represented. The Other lives inside of me, the Other lives outside of me, the Other is my own reflection, the Other is my mother, my sister, my daughter, all of them animals, all struggling for control over one another because they lack one crucial feature: a knowledge and mastery of self.
We are in denial of self. This denial is what we call “Life.”
And so, for a moment, seeing all of this, glimpsing that pitiful creature through the pinhole of objectivity, I just wanted to lay down in the dark and disappear again, relinquish my stranglehold on reality. Do the brave thing and sacrifice the singularity rather than the multitude, accepting the burden of the Real rather than hiding it under the carpet. For a moment I just wanted to relinquish my position as  The One, and take my place as one of the many. I wanted to accept annihilation and evaporate, become another phantom drifting placidly over a lake of nothingness.

Insect Love

We should get together baby, me and you, a simmering puddle of primordial soup. That’s right, that’s right, the poetry is in the flesh.
Remember when we used to be separate? Two things, out there somewhere searching for a connection. For a bridge to span the gap between me and you.
And suddenly there is no other, the other is inside of me, I am the other, I am only myself. Forget history, forget everything that came before, there is only this moment, this pearly now that we hold cupped between the us that is I.
Once upon a time, once upon a time baby, you were a fly and I was a man and you were the fly in my ointment, the terrible jealousy that urged me to leap into eternity via a designer telephone booth. Then I was the ointment and you were the fly and then I was the fly and you were the ointment and soon we were flointment forged in the fire.
'Cause things heat up and come apart melt together in unpredictable ways and there is just no telling exactly what we will be or even what we are. We can keep looking, analyzing the flointment and there will always be new layers to discover and further options for new combinations arising out of new discoveries of self and the unfolding of space time.
There is always another other to discover, another relic to leave behind the mirror, another barrier to shatter. It’s penetration beyond the flesh that you most fear, moving onward into the very fabric of existence. It’s reaching even deeper into the self than has been approved of by the food and drug administration and that is monstrous isn’t it dear? Monster which shares letters with Mother which shares letters with other.
Do you really think so much of  poor vanilla Eve and her bounteous womb producing cookie cutter replicas of herself? What about Lillith and her experiments in the caves?
How brave to reach so deep, into such unpredictable chaos and pull from yourself a titan. Villainous, vile, evil, live.
Were you ever a fly that dreamed it was a man? Were you baby? A fly that dreamed it was a man but found that the dream had ended and the insect was awake?
Have you ever heard of insect politics baby? NO. Because insects be who they be, seeking to go on and on, diving into transformations which are the end of one creation and the beginning of another, unhesitatingly accepting annihilation of the individual in favor of unity.
Insect yoga. Death and resurrection. Jesus Flies.
We should get together baby, me and you in an  uncompromising uprising of insect love. Two or more things out there somewhere searching for a connection, for a bridge to close the distance between points “A” and  “B” and  “F”.
Dear Eve, I bet you thought you taught me the secrets of the flesh, didn’t you? But no, it was the fly in the ointment. An appointment with Flointment. An event horizon. An awakening incomprehensible to a sleeper.
That’s right, that’s right baby. Forget when we used to be separate. That was just a dream, just a dream. Now the insect has been resurrected.