Old Words, New Words

Old words, new words, like black birds and white birds whirling in the gray of a cloudy muted sky.
Black birds, assaulted by rain, tremble and struggle while the white birds whirl, unperturbed by wind and water.
They are from the sea and are turbulent in their own nature, these elements cannot surprise them. They are beyond surprise and awe, twirling in a wind swept horde above the glistening dripping world, elegant white birds, storm frenzied white birds, sky slicing white birds.
The black bird has found sanctuary somewhere in the eves of a house. Usually such a big strong bird, it has frightened me to see him wobble across the sky. Even knowing that he is now safe, I feel pained imagining the moment when the storm first caught him.
What was he doing when wind and water decided to throw birds across clouds? I feel frightened, even though he is now safe, even though I was today safe.
I feel fear knowing that chance will leave me to a storm one day, that everyday that I breath cannot be a safe day. And what will I be doing when forces greater than my self grab me up?
Surely no one is immune. No beast that walks, flies, swims, wriggles, or crawls can count itself safe forever.
Old words, new words, neither come quickly enough.

Fear In The Desert

There is water in the desert of despair, dirty mucky water, just enough of it to make leaving look harder than staying.
You see that water warming under the merciless sun and you tell yourself that one place is as good as another, that someday your dreams will come true, but until then you can rest here.
You may huddle under the shade of a Texas umbrella tree dropping poisonous gold berries into the powdery dust that covers its roots while you wait for your ship to come in.
Waiting, a broken robot that knows that it is damaged but can’t see that the damage prevents it from making the choices that might lead to repairs.
Your brokenness informs your decision to remain in the desert. It demands that you wait for a ship. A ship in the desert. You watch videos of rolling waves crashing upon distant shores and you wait for it to come in.
You are actually afraid of a positive outcome.
You are afraid that the world will not come crashing to an end within a year, that the government isn’t plotting against its citizens, that there are no sinister forces at work around you.
You are afraid of discovering a paradise beyond the desert, you are afraid of discovering that you could make repairs to your damaged operating system if you were willing to confront your self by acknowledging that you are the only one who can make the decision to leave the desert.
You fear the terrible responsibility.

Run As Fast As You Can

As fast as you can, run. Feet pounding against hard dry earth, then the sound of brittle dry grass and wild oats and wheat folding under foot. A frantic rustling sound, like the tearing of sheets of paper, run. The trees conspiring to make shade in a place accustomed to the tortures of the sun…slender young things, rebels in a desert. The white church with its friendly face and the weirdness tucked tight within, worshipers down on their hands and knees, new initiates stripped to their undergarments to be absolved of sin before their brethren’s eyes. Stripped of sin, of the mortal sin all begun with a bite into a crisp apple, sin originating from a resounding “crunch". See it in the jagged yellow action bubble.
Suddenly Eve beholds her nakedness. So now they take off their clothes in the basement of the church. But you don’t have to, you don’t have to go there. You can run. Run away from your parents and your teachers and the preacher and the neighbors. You can get away with strong young legs, but it’s not the strength of the body that they have restricted. It is the strength of the will. You are their slave. A sad host for their disease.
The trailers, the custom homes sprawled like mansions in a no man’s land, rest side by side, crowning hills and nestling within valleys. The woman with the high heels is coming, asking again if we’ll come help her with some work at her house. Smart gray knee length skirt and jacket, red lipstick, mahogany locks shining in the sun.
Everything looks just right. A fine outstanding citizen. We go, because we can no longer refuse and be considered polite, good neighbors, fine young people. Later, we can’t remember what happened at her house. We’re not even sure that we went.
Run, as fast as you can, run. The face of the house white as the church, charming green trim and the stairway around back that leads to another basement…
Smooth sun tanned arms and legs and freckled cheeks, walking through the fields, resting under the little trees. Scent of hot asphalt when we cross the only paved street in town for ice cream or magazines and bubble gum. Clouds of dust stirred up by our discolored sneakers as we race home along the dirt roads. Bigger clouds made by the tires of pick up trucks rattling along.
When we were younger we waved. Now sometimes we hear them coming and dive into the seas of tall grass. A refuge from all of their expectations. Lady bugs crawling up long stalks and other insects we haven’t named, pale green and yellow or black and red, also down here hiding.
The woman with the high heels smiling at us again in front of the white church. Won’t we come again? She always asks when others are present, ashen adults who admire her color, her charm. If we refuse they will frown at us. We are encouraged to go.
No!
We scream silently, hearts thundering, adrenaline rushing. Not even we know why, but we feel it from head to toe, a throbbing urge to run, as fast as we can. But with their eyes on us we can’t. We can only submit and walk back to her house, to the place we can only half remember. Back to the green sofa and tumblers of ice tea, the part we’re allowed to remember, the part that comes before the concrete steps and the cool darkness of the basement.
It comes bubbling up only in flashes, half remembered scenes that step beyond reason. Discordant images quickly pushed back into the depths, too incongruent with the shiny platitude of the surface. It is too late to act on the impulse to flee, but we do it anyway, with our minds, because it is too late for our bodies. As fast as you can, run, skimming over the top like flat stones over a pond’s mirror finish.

Les Iris

I had a poster of a Vincent van Gogh painting, les iris, when I was a freshman in high school. The colors were bright and easy to be absorbed into. It had been rolled in a tube so that its deepest desire now was to curl up once again and sleep in a dark cylindrical womb, but I crucified it mercilessly to the walls with four brass thumbtacks and lay on my day bed and stared into the green and brown and purple blue.
My father disliked it. He even told me that I would go crazy if I kept that poster in my room. Maybe he was right, or maybe the poster was a symptom rather than a cause of insanity, or maybe the poster was completely innocent and uninvolved with madness of any kind, or at least far less involved than my father himself.
But I did lay there and gaze at the poster in silence and through tears. Sometimes from the floor where I lay on the carpet by the door I tried not to breathe, willing my heart to stop beating, begging fate and pleading with my body for death while smelling the paint that made my walls and the door so bright white and seeing les iris shivering on the wall.
What else was on my walls? That poster had only two companions, a Greek orthodox wooden crucifix with a sad Jesus bleeding artistically, and a golden plaque with the lord’s prayer inscribed on its surface. My father may have asked me what I was doing with those on my wall too, because we were not Christians, or at least he was not, even though he had sent me to a Christian school so that I could get a taste of religion and morality.
Jesus was there because I found him in a strange store full of such artifacts and I had thought it was beautiful. I had never seen a Jesus like that before, a Jesus that looked as though he had come from a mosaic in a Byzantine cathedral. It was intriguing to me to see Jesus in a way that had never been presented to me. Christians in my little piece of American hell displayed and wore crosses, but you never saw Jesus dangling from that ornament.
This was the part that they were referring to and hiding with their clean crosses; the bloody man slowly dying while crucified. This was what they were really displaying around their necks and on their bumpers and from the brittle hillsides behind their trailers; the torture and suffering of a man, the death of the God who had a body.
The lord’s prayer had been a gift from my grandmother when I was small. She gave it to me when we moved into our first house. Now by merit of its age and its affiliation with someone soft and warm it had earned a place and glittered on my wall.
But by then, by the time les iris had become part of my surroundings, I did not believe that God could hear me or was listening, if it did exist. I did not talk to the long deceased Jesus, I would not allow myself the luxurious comfort of these fantasies.
I was alone and if there was anybody that could understand my plight, it was the Devil, if he existed. At that time, in the madness of les iris, when I did consider that Our Heavenly Father was waiting in heaven with his milky white and passive son, I was determined to rail against their regime. I was sympathetic to Lucifer.
I knew what it was like to be misunderstood, to fall from grace with the father. I knew what it was like to be demonized for one’s differences. I knew what it was like to love the trees and the wild things and prize them above the walls and rules of society. I knew what it was like to fall.
When I wasn’t hoping to die, when I had given up on taking my disfigured presence out of the world, then I prepared for battle. I sat on my bed facing les iris and wrote on notebook paper my arguments on the devil’s behalf. I wrote stories about those who were different than the rest of the flock or I read books about those who went on living despite their “wicked” natures. I delved into the squirming lines of the flowers and earth and green stems and convinced myself that I too should live, writhing and screaming if necessary, but live, rather than go the way of the sad pale withering Christ, good and nice to the last drop.

Creation and Property

Nobody can own music.
Nobody can own a sound.
You can make music, you can make a sound, but you can’t keep it in bondage.
It’s like a child. You may birth it, name it Rainbow and raise it on organic vegetable matter and Dalai Llama quotes excerpted from coffee table novelty books, but when it turns 18, if it wants to ride in red sports cars with gangstas and shake its ass in a skin tight mini skirts made of genuine baby white tiger skin, then that’s just what it will do.
The things which accumulated in you and resulted in "the song" were not unique to you, they came from elsewhere.
For example, your siblings also feel the angst that remains from your father’s drunken abuse, and your love of wild flowers is shared with scores of green peace enthusiast, hippies and botanist. That chord arrangement is only slightly different from others, and probably is identical to an arrangement featured in a polka song written by an accordion player that lives with his mother in Michigan and works as a used car salesman by day. The only thing distinguishing your arrangement from his is that the rhythm is different and yours is strummed on an acoustic guitar rather than keyed on an accordion and you have an audience and got a record deal while he suffers from loneliness due to his pig nosed face.
The very idea that creative material should be owned is an uncreative idea. It is an idea that says: “Now I have made this and no one else can make anything else like it or from it or I’ll sue their ass for copyright infringement”
Creativity is using anything and everything and making something new from it, something slightly different or unrecognizably different. Kudos to anyone that can take part of a song about love and peace and turn it into a song about hate and violence. That is called being creative. No one comes up with anything brand new and all their own.
We are all composites of the many different influences which converge within us and our ideas and creations stem from this composite creation that we call self. We do not know the nature of our self, and not knowing our self, how could we ever presume to possess it, let alone those composite spores that it spews into the ether in the form of poetry, song, or sculpture.
This self is on loan. We borrow it for a while, taking it for a spin before it evaporates. These impressions shaping our creative impulses, are viewed through the borrowed lens of self. They did not originate within us. The color of the sky was present long before we were and the birds were singing about it long before we started writing about them singing about it. The thing which made the song was not yours, the things that the song is made up of is not yours, those things that inspired its making are not yours, how could the song itself be yours?
Nothing is new under the sun. There are no original ideas. Your ideas come from others. From the sound of your mother’s voice when you were twelve, from your father’s old car, from the lake you nearly drowned in, from the song that played on the radio when you first kissed, from the way she screamed when she left, from the theme of that cartoon you watched when you were four, and the song your grandmother hummed when you were 13 months old.
There are things at work within you which you are not even aware of. That song you wrote may very well be an approximation of something you heard when you were a child or in the elevator three months ago. That you were unaware of its influence on you does not make the resulting song original. It came from somewhere.
To be creative is to see what there is to work with and work with it in any way possible. To steal, to borrow, to reuse and cause mutations, that is creative. To forge something new of what was is God-like, opening up infinite possibilities. To spend one’s life obsessed about protecting a small blot of intellectual material is limiting and can only lead to decay, to the end of possibilities.
Creativity is brave. To be a true creator is to scatter creations like droplets of water from the trembling wings of a heron. You do not take time to count the droplets, or to try to catch them before they can dance off of the wings of another.
If someone takes what you have made and does something new with it, that is a compliment. If you were focused on creation and not ownership, you would be unafraid to loose the drops of water that scatter from your wings, you would know that soon you will dip into the waters of life in search of the wriggling fish and new things will scatter from you as you part with the water again and ascend with your catch. This can happen again and again if you are active and not busy catching and adoring the product of dives into the deep that occurred once long ago.
When you create, you are in the present. What you created, that is already in the past. Dead and gone. If you are interested in ownership, sue the earth itself. For that is where you came from and that is where you’re going.

Death

We are immersed in a culture so afraid of dying that it’s only purpose is to live, at any cost, in any way that one can manage. And yet each one of us will die eventually, despite our best effort to outmaneuver death. In the end, we have not lived at all, we were always avoiding death and doing things based on whether or not they might lead to our demise or to bodily harm or to shame. We might long to see the step pyramids nestled in the pulsing wet bosom of Central America but choose not to take the trip because the politics of the region are unstable, there are scorpions and snakes in the jungle, there are thieves and murderers waiting for victims outside of the airport and the plane might crash before they can even get you. You might be sold into white slavery, your organs might be traded in the black market, you might be arrested due to a minor misunderstanding and rot away in a third world jail cell where you may contract a life threatening disease.
So, for all of these reasons, you do not do the thing that you long to do. Instead, you go to work and come home and pay your taxes and change the oil in your car and watch the movies that Netflix delivers to your mailbox, like some crawly thing creeping in the shadows hoping that the hungry crow won’t find you. But she will eventually, she always does, no matter how skillfully you avoid living, you can never avoid death.
One day you will go for your routine checkup and the doctor will tactfully announce that they have detected something abnormal and would like to run more tests and after more tests he will solemnly explain that you have cancer but might recover if you undergo chemotherapy. You’ll agree, clinging to the idea of complete remission, a full recovery, so the treatment will begin and it will make you feel sicker and your hair will fall out and you will have trouble paying your medical bills and, within three years, you’ll finally die with a bad taste in your mouth, hooked up to an IV in some hospital, leaving your family buried under a mountain of debt.
You will be dead without ever having seen those pyramids where kings and priests plucked beating hearts from warm bodies and held them out before the eyes of the mesmerized crowd below, before rolling the now cooling body down the steps and bringing out another hot screaming live one. You will not know what it is like to walk in the jungle listening to the monkeys scream and the insects hum and catch a glimpse of the vivid plumage of the quetzal bird before she flies away after the blue butterfly. You will not know what rich heart you sacrificed when you opted to stay safe and comfortable rather than embrace an experience of the real, will never receive the secret communication that was meant for you alone and might have been transmitted to your deepest being, coursing from the ancients stones into the soles of your hiking boots and up your legs until it bursts in your chest and washes over every cell of your brain like waves crashing over a breaker. You will die without understanding why you should have gone, without guessing why you should have spent your days under the hot brilliance of the glorious sun without fear of the hungry black bird that circles perpetually over head.
You will die without ever having lived.
Staying alive is not the purpose of life and death is a doorway which you will definitely cross.
In both life and death, keep your eyes wide open and place fear aside, like an old battered hat.

Take It Bitch

The Gods created mankind to labor on their behalf, manufacturing substances the Gods themselves were incapable of producing. But really, who is the servant and who is the master? It is a mutually beneficial relationship.
The magician and his golem must make their way to further their mutual existence. Creator and creator cannot be separate. The created serves as an extension of the original.
What in the hell are you doing with your life? Racing to the grave as if human existence is an all you can eat buffet? The main objective: gratify bestial cravings quickly before 70 short years lands you six feet under.
Is that all?
No don’t look for Daddy or even Mommy. The Gods aren’t here to take care of you. They are here to live in you, to devour you.
What? What am I talking about?
I’m talking about sex, baby. That’s right, sex from the abyss. Something unknowable, the opposite of your biological self with its pathetic shelf life, is seeking to penetrate you, change you, become one with you.
The way that you relate to other earthlings of the opposite gender illustrates your relationship with the divine.
Is it even a relationship?
Any relationship requires an open heart, a willingness to abandon identification with the perceived self.
Where there is love, there is no fear.
Were there is fear, well darling, that’s not love. Love is not a human emotion. It is liquid fire coursing through the veins of an enormous many tentacled state of being. Fear of death, fear of change, and the fear of pain, chain us to life as worms- crawling around in the dirt, afraid to face the sun and the fierce winged things.
But here, dear friend, is a reminder: you will die sooner than you think, you will change states nightly, and suffering is eternal.
My suggestion?
Get fucking used to it. These things alone are certain. Be a mad dog and face the inescapable. Take it like a good little bitch.